Meadow Grass: Tales of New England LifeBrown, Alice
General
Meadow Grass: Tales of New England Life
Brown, Alice
New England -- Social life and customs -- Fiction
Heman stepped into the house for his bass-viol, and brought it out with
an extremity of tender care; he placed it, enveloped in its green baize
covering, in the bottom of the pung. Some ludicrous association between
the baize and the green _barège_ veil struck Brad so forcibly that he
gave vent to a chuckle, sliding cleverly into a cough. He tried to meet
Heman's eye, but Heman only motioned him to get in, and took his own
place without a word. Brad wondered if he could be ill; his face had
grown yellowish in its pallor, and he seemed to breathe heavily.
Midway in their drive to the vestry, they passed a woman walking
briskly along in the snowy track. She was carrying her singing-books
under one arm, and holding her head high with that proud lift which had
seemed, more than anything else, to keep alive her girlhood's charm.
"There's Roxy," said Brad. "Here, Heman, you let me jump out, an' you
give her a lift." But Heman looked straight before him, and drove on.
By the time they entered Tiverton Street, the vestry was full of
chattering groups. Heman was the last to arrive. He made a long job of
covering the horse, inside the shed, resolved that nothing should tempt
him to face the general mirth at the Widder's entrance. For he could
not deceive himself as to the world's amused estimate of her
guardianship and his submission. He had even withdrawn from the School
Board, where he had once been proud to figure, because, entering the
schoolroom one day at recess, he had seen, on a confiscated slate at
the teacher's desk, a rough caricature representing "Heman and his Ma."
The Ma was at least half the size of the slate, while Heman was
microscopic; but, alas! his inflamed consciousness found in both a
resemblance which would mightily have surprised the artist. He felt
that if he ever saw another testimony of art to his unworthiness, he
might commit murder.
When he did muster courage to push open the vestry door, the Widder
Poll sat alone by the stove, still unwinding her voluminous wrappings,
and the singers had very pointedly withdrawn by themselves. Brad and
Jont had begun to tune their fiddles, and the first prelusive snapping
of strings at once awakened Heman's nerves to a pleasant tingling; he
was excited at the nearness of the coming joy. He drew a full breath
when it struck home to him, with the warm certainty of a happy truth,
that if he did not look at her, even the Widder Poll could hardly spoil
his evening. Everybody greeted him with unusual kindliness, though some
could not refrain from coupling their word with a meaning glance at the
colossal figure near the stove. One even whispered,--
"She treed ye, didn't she, Heman?"
He did not trust himself to answer, but drew the covering from his own
treasure, and began his part of the delicious snapping and screwing.
"Where's Roxy?" called Jont Marshall "Can't do without her alto.
Anybody seen her?"
Public-domain text, read in full here on John Shaqi.
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