"I do not say that they appreciate the drama in the same degree as the
more educated classes; but you must remember they have gone through
a long course of training. You perhaps now appreciate our wisdom in
making attendance compulsory. Without regularity in attendance we could
not arrange for a proper sequence of plays. Also, I must admit that on
the days when the Sixth and Seventh Classes are due to attend, we put
on the less advanced plays as a rule."
"What happens," I asked, "to the old plays which were written, say, a
hundred years ago; are they never performed?"
"Oh dear, yes," replied Dr. Dodderer; "the performance of such plays
forms a regular part of the literature course at all our Universities
and Colleges. We also utilise quite a number of them in the courses of
plays for the Fifth, Sixth and Seventh Classes; but the form in which
they are written is so simple and childish, such a contrast to the ripe
perfection of the fully developed Meccanian drama."
"It must be a difficult matter," I remarked, "to arrange for
progressive courses of plays for so many people as you have in Mecco."
"On the contrary, the larger the city the easier it is. Members of the
Third Class and, of course, of higher classes, are considered capable
of appreciating all kinds of plays. Class Four consists of four grades,
and the two higher grades, all the members of which are over thirty,
are likewise eligible to attend any plays. We have a very simple plan
of classifying all the others. At the age of eighteen they are all at
liberty to attend plays which are classed as Stage I.; then after six
months any one is at liberty to apply for a certificate entitling him
to attend plays in Stage II. After another year they can obtain a
certificate for Stage III.; and so on. We seldom refuse an application,
and in fact we rather encourage our people to advance, otherwise many
people would be content to remain in Stage II., or Stage III., all
their lives. Then, at the beginning of each season, we know how many
to provide for in each class, and at each stage; and the greater the
number of theatres the easier it is to arrange the plays accordingly."
"What about the actors?" I asked. "In most countries the leading
actors are very much sought after, and can make large fortunes. I
should imagine your system does not allow of that kind of career for a
successful actor."
"All our actors," replied Dr. Dodderer, "are trained in the Imperial
Meccanian Dramatic College. The lower grades belong to the Fifth Class,
the higher grades to the Fourth. The technique of acting has been
brought to such perfection that the 'star' as he used to be called,
has entirely disappeared. There is no room for him in our system. The
'star' was a mere product of popular enthusiasm."
"How do you judge, then, of the popularity of any particular actor?"
Public-domain text, read in full here on John Shaqi.
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