Mediæval Military Architecture in England, Volume 2 (of 2)Clark, George Thomas
History
Mediæval Military Architecture in England, Volume 2 (of 2)
Clark, George Thomas
Architecture -- England; Architecture, Medieval; Military architecture
What are called Lancaster’s buildings occupy most of the inner ward.
They commence at the forebuilding, and extend along the rest of the
north side, the whole of the west, and much of the south side. They
evidently replaced similar buildings of the Norman period, and were
built towards the end of the fourteenth century. Next west of the
forebuilding are the remains of the kitchen and buttery, now a mass
of ruin, much of which is covered up with earth. An immense fireplace
has been inserted into the wall of the forebuilding, having two very
perfect ovens lined with thin bricks; another fireplace is formed in
the adjoining curtain; the fire-backs are also of thin brick, set
herring-bone fashion. Further on, a curious triangular buttress outside
the curtain contains a garderobe shaft, the drain from which is a
squared-headed opening in the rock below, about 6 feet high and 4 feet
broad. There is a second drain, which traversed the kitchen, and the
mouth of which, fitted with a groove for a sluice, is seen in the inner
ward, near the hall door. Probably if the rubbish was removed, the plan
of these buildings would be visible. Beyond them, the north-western
angle of the ward is capped by the strong tower, quadrangular, 50
feet by 40 feet, with octagonal turrets at the two western angles,
and between them a rather remarkable triangular buttress. The tower
is of three stages, all vaulted and groined, each vault of four bays
springing from a central pier. It is of the date of the hall and
kitchens, from the foundations. This tower probably derived its name
of the “Strong Tower” from its use as a prison, though evidently for
persons of consequence. The windows are plain, flat-topped openings. In
the sides of one of the splayed recesses, looking towards the west, are
some coats-of-arms scratched in the stone. Those that have been made
out are four.
1. Six cross-croslets flory, on a bend three pheons bend-wise, points
depressed to the sinister.
2. Quarterly, per fesse embattled.
3. On a quarter a fret (or fretty).
4. Quarterly, 1 and 4, a cross botonné.
„ 2 and 3, three crescents inverted.
Public-domain text, read in full here on John Shaqi.
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