Medical symbolism in connection with historical studies in the arts of healing and hygieneSozinskey, Thomas S.
History
Medical symbolism in connection with historical studies in the arts of healing and hygiene
Sozinskey, Thomas S.
Symbolism in medicine
Let it not be supposed that the reasons in favor of the idea that the
Omphalos became the staff of Æsculapius are entirely insubstantial.
Remains of ancient art furnish excellent proof of it. Müller says: “In
a Pompeian picture, Æsculapius has beside him the Omphalos, which is
entwisted with the well-known net, composed of στέμµατα. We see from this
that this symbol of Apollo was also transferred to his son. On the coins
of the gens Rubria, likewise, it is not an egg, as is usually asserted,
but _the Omphalos placed on a circular altar that is encircled by the
Æsculapian serpent_.”[167]
To one versed in the history of Phœnicia and other Oriental countries,
the Omphalos is very certain to be viewed in another light than as a
symbol of a “high place,” or mount[168] of worship. In the great Tyrian
Temple of Baal Melkarth, which Herodotus went to see and admired much,
and of which that of Solomon, or, rather, of Jehovah on Mount Moriah
was almost a copy, even to the two pillars in front,—symbols of the
sun-god,—were certain similar stones, carefully preserved and duly
reverenced. These, it is well known, were of procreative import; they
were phallic in character.[169] Was the Omphalos of similar significance?
There is little reason to doubt that it was often regarded in that light.
“In the earliest times,” says Müller, “a conical pillar, placed in the
street and called Apollo Agyicus, sufficed to keep in remembrance the
protecting and health-bringing power of the god.”[170]
The staff, then, in the hand of Æsculapius may have had its prototype
in the Phallus,—truly both an expressive and sublime symbol, when
contemplated by pure, enlightened minds.
But, notwithstanding what I have said, one might present some arguments
in favor of the view that the staff of Æsculapius had its true prototype
in a magic wand or symbol of office. As will be pointed out later, the
Accadio-sumerian, Silik-mulu-khi, the beneficent son of Hea, subsequently
Marodach or Marduk of the Babylonians and Assyrians, a healing divinity,
from whom the conception of Æsculapius may have partly sprung, carried a
reed when attending to his duties.
Public-domain text, read in full here on John Shaqi.
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