With this story of St. Hildegarde in mind, and the recall of other educational developments among the Benedictine nuns, it is easy to understand the developments that took place at Salerno, where monastic influence was so prominent. Just as the medical, and above all the surgical, traditions of Salerno found their way to Bologna at the beginning of the thirteenth century, so also did the regulations regarding standards in medical education, and with them medical education for women. There are definite historical documents which show that women not only studied but taught in the medical department of Bologna. The name of one of them at least is very well known. She was Alessandra Giliani, and, strange as it might appear, was one of the prosectors in anatomy of Mondino, the founder of teaching by human dissection. According to the "Cronaca Persicetana," quoted by Medici in his "History of the Anatomical School at Bologna": "She became most valuable to Mondino because she would cleanse most skilfully the smallest vein, the arteries, all ramifications of the vessels, without lacerating or dividing them, and to prepare them for demonstration she would fill them with various coloured liquids, which, after having been driven into the vessels, would harden without destroying the vessels. Again, she would paint these same vessels to their minute branches so perfectly, and colour them so naturally, that, added to the wonderful explanations and teachings of the master, they brought him great fame and credit." This passage with its description, as coming from a woman, of a very early anticipation of our most modern anatomical technique--injection, hardening, and colouring, so as to imitate nature for the making of anatomical preparations, for class and demonstration purposes--is all the more interesting because the next great improvement in anatomical teaching, the use of wax models of dissected specimens coloured to imitate nature, came also from a woman, Madame Manzolini, also of Bologna. Feminine instinct aroused women to use their inventive ability to do away with the necessity for always recurring to the deterrent material of fresh dissections, and yet securing such preparations as would make teaching not less but more effective. Some doubt has been thrown on certain details of the story of Alessandra Giliani, but the memorial tablet erected at the time of her death in the Hospital Church of Santa Maria de Mareto in Florence gives all the important facts, and tells the story of the grief of her fiancé, who was himself Mondino's other assistant. Like her, he died young also, when there were high hopes of his ability, and there is more than the suspicion that these two untimely deaths may have been due to dissecting wound infections. She died "consumed by her labours," so that it may have been phthisis; but he was taken by "a swift and lamentable death."