Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works — John Shaqi
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
The conception animating the practise and the teaching of sophistic,
far from being limited to antiquity, is medieval as well, and modern.
Apparently it is permanent. Rhetoric is conceived by Aristotle as the art
of giving effectiveness to truth; it is conceived alike by the earlier
and the later sophists and by their successors as the art of giving
effectiveness to the speaker. The conceptions are not contradictory.
The second may be theoretically included within the first; and actually
Demosthenes may learn something from Isocrates. But to embody them in
educational procedure, to carry out either as the controlling idea of
a course of study, is to discover that sooner or later they become
practically incompatible. Ingenuous youth will be devoted either to
energizing truth or to exploiting itself. There will come a parting of
the ways; for the two conceptions are divergent. What Aristotle discerned
as differentiating is differentiating still. The flaw in sophistic is
moral. It may not impair technical training; but by deviating motive it
tends to impair education.
For Aristotle’s theory is a touchstone. To recall rhetoric to the true
function discerned by him has repeatedly been the object of reform
in teaching. What has intervened to deviate rhetoric and frustrate
its best use has again and again been the preoccupation with giving
effectiveness not to the message, but to the speaker. Ancient sophistic
is thus typical. It is not merely historical; it is historic. The
false conception divined by Plato, and exposed finally by Aristotle’s
demonstration of the true conception, led ancient rhetoric through empty
personal triumphs into an elaborate art of display, devoid, at its worst,
of other motive. As sophistic spread, as its idea of rhetoric became
dominant, ancient education was narrowed;[6] and ancient oratory eddied
in shallows until it found a new course with the new motive of Christian
preaching.
In exorcising the false conception Aristotle removed the false sophistic
emphasis from style. He does not despise, nor even slight, technic. He
finds analysis of sentence rhythms necessary. But his goal in this, as
in his analysis of figures, is beyond the technical means of securing
particular effects. He does not classify figures for reference; he seeks
in both phrase and cadence the function; and he discusses neither until
he has spent some two-thirds of his treatise on the function of rhetoric
as a whole course of study. This he finds philosophically necessary.
Otherwise rhetoric cannot be justified; otherwise, he clearly implies,
it is narrowed and degraded. For him rhetoric is so inextricably moral
that it should never be divorced from subject matter of real significance.
Public-domain text, read in full here on John Shaqi.
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