Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works — John Shaqi
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
in Medics, in the Darius and Xerxes things, I mean; for, to me
at least, he of all the sophists seems to render these best and
to set a tradition of rendering for his successors. I. 21 (84).
Ptolemy of Naucratis, however, was nicknamed Marathon.[25] The wonder is
that the nickname was sufficiently distinctive.[26]
(2) Improvisation and Memory
The vogue of such subjects does much to explain the otherwise incredible
accounts of improvisation. “Propose a theme,” the sophist’s challenge
which Philostratus traces back to Gorgias,[27] becomes less startling
when we find that the theme, as well as the treatment, might come from
stock. Even so the readiness and fluency seem phenomenal and were the
great boast. See Mark of Byzantium recognized by pupils in the school of
Polemo.
Accordingly when Polemo asked for themes to be proposed, they
all turned towards Mark.... Mark, lifting up his voice and
tossing his head, said: “I will both propose and execute.”
Thereupon Polemo ... discoursed at him long and wonderfully on
the spur of the moment; and when he had declaimed and heard
Mark declaim, he was both admired and admiring. I. 24 (104).
Aristides was exceptional in declining to speak thus; and Philostratus
thinks the less of him.[28] Generally improvisation was expected as a
mark of virtuosity.[29] The _locus classicus_, perhaps, of improvisation,
the most daring and phenomenal virtuosity, is ascribed by Eunapius to
Prohæresius.
Then from his chair the sophist first delivered a graceful
prelude ... then with the fullest confidence he rose for
his formal discussion. The proconsul was ready to propose a
definition for the theme, but Prohæresius threw back his head
and gazed all round the theater ... and beheld in the farthest
row of the audience, hiding themselves in their cloaks, two
men, veterans in the service of rhetoric, at whose hands he
had received the worst treatment of all, and he cried out:
“Ye gods! There are those honourable and wise men! Proconsul,
order them to propose a theme for me. Then perhaps they will
be convinced that they have behaved impiously.”... Whereupon,
after considering for a short time and consulting together,
they produced the hardest and most disagreeable theme that they
knew of, a vulgar one, moreover, that gave no opening for the
display of fine rhetoric. Prohæresius glared at them fiercely,
and said to the proconsul: “I implore you to grant me ... to
have shorthand writers assigned to me.”... Then he said: “I
shall ask for something even more difficult to grant ... there
must be no applause whatever.” When the proconsul had given
all present an order to this effect ... Prohæresius began his
speech with a flood of eloquence, rounding every period with
a sonorous phrase.... As the speech grew more vehement and
the orator soared to heights which the mind of man could not
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account