Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
For the middle age preaching is the characteristic form of oratory.
Political oratory being in abeyance, legal oratory having little scope,
preaching practically monopolizes the third field distinguished by
Aristotle, occasional oratory, the oratory of here and now. Teaching,
clearly of course a sermon function, sometimes becomes the main object;
but even so it is not incompatible with other oratorical use of the
occasion. Indeed, a sermon hardly succeeds as teaching except through
the typical means of occasional oratory. For a sermon is different from
a lesson, and even more different from an essay. As a form of oral
composition it has opportunities and methods distinct from those of the
bar or the senate. Occasional oratory, always beset by temptations toward
sophistic,[3] has always opened on the other hand the highest ranges. In
preaching, the safeguard against sophistic is in the distinctive use of
the occasion to move men to action. Always emotional, occasional oratory
becomes in preaching a distinct form of persuasion. Relying less than
political oratory on argument, reasoning less and pleading more, it is
even more urgent toward a goal. This character, achievement alike and
misuse, is vivid in the medieval preaching of the friars.
Medieval preaching is occasional oratory not only in the ancient
application to special solemnity, but more significantly in using the
familiar recurrences of the Church year. The whole western world kept not
only Christmas, but Candlemas, Michaelmas, and the rest. Nothing is more
characteristic than the focus of popular emotion upon Corpus Christi. The
calendar of feasts and fasts was the actual calendar. A medieval auditory
had a great common fund of conscious and subconscious associations.
The surrounding symbolism of stone and glass was familiar from land to
land. The pulpit was beside the altar. The regular sermon on a Sunday
or a feast was at Mass after the gospel, which furnished its text.[4]
The atmosphere of prayer was intensified by specific petition preceding
and following. “Let us therefore ask our Lord to give me good words for
you” ended the exordium, or “Pray that we may be illuminated,” or “Pray
the Lord, therefore, that by the power of spiritual teaching to-day your
hearts may be uplifted”;[5] and the congregation united in _Pater_ and
_Ave_. So the sermon ended with prayer, and was immediately followed
by common intercessions. Though some of these conditions are constant
throughout the history of Christendom, never before or since have they
combined at once so amply and so widely to constitute the conditions
of preaching. In this special sense medieval preaching was the oratory
of occasion. At no other time has oratory had at command so large and
constant a fund of common emotional associations.
A. VERNACULAR TO THE PEOPLE, LATIN TO THE CLERGY
Public-domain text, read in full here on John Shaqi.
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