Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
There are fewer suggestions of narrative experiment in the contemporary
French _lais_ of Marie.[8] Her _Yonec_ is satisfied with the rapid
summary of Latin tradition. Her charming _Honeysuckle_ is an episode of
the Tristram story. Iseult, finding a peeled wand by her way through
the wood, knew that Tristram was near. As much lyric as narrative, such
episodic poems suggest what the _lai_ may have been in its earliest
use of Celtic fairy adventure. _Lanval_ and _Eliduc_ handle with more
narrative progress what we now call a situation. Another rendering
of the former situation, the anonymous _Graalent_, shows by contrast
Marie’s discernment either in choosing a version narratively superior
or in herself reshaping. Generally her art is less of composition than
of style. Her habit with a situation is not the fluent onwardness of
_Aucassin et Nicolete_,[9] nor the intensive and progressive sequence of
the later _Chastelaine de Vergi_.[10] The technic of the latter, though
distinctly realized in the middle age, remained exceptional. It receives
little attention even in the _Decameron_; and it stands out among the
_Canterbury Tales_.
3. Chrétien de Troyes
A romance of five or six thousand lines, but still selective, was
developed by Chrétien de Troyes.[11] His _Erec_ tells the tale which
Lady Charlotte Guest translated in her _Mabinogion_ as _Geraint the
Son of Erbin_ from a later Welsh version. Enid is stricken with shame
that Geraint’s love of her should run to ignoble fondness. Her lament,
overheard and mistaken by Geraint, rouses his jealous pride to prove her
long and cruelly. This moment the Welsh writer sees in its setting.
And one morning in the summer time they were upon their couch,
and Geraint lay upon the edge of it. And Enid was without sleep
in the apartment, which had windows of glass. And the sun shone
upon the couch. And the clothes had slipped from off his arms
and his breast, and he was asleep. Then she gazed upon the
marvellous beauty of his appearance, and she said, “Alas! and
am I the cause that these arms and this breast have lost their
glory and the warlike fame which they once so richly enjoyed?”
And as she said this, the tears dropped from her eyes, and they
fell upon his breast.[12]
Public-domain text, read in full here on John Shaqi.
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