Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
Nor were the large philosophy of rhetoric in Cicero’s _De oratore_, the
great survey of Quintilian, the later medieval guides. The prevalent
textbooks were Cicero’s youthful digest _De inventione_ and a second
book universally attributed to him, the _Rhetorica ad Herennium_. Though
the survival of these minor works may be due partly to the accidents
of manuscripts, their persistence has other causes. _De inventione_
reduces to summary what the middle age taught least, those counsels
of preparation and ordering which ancient teaching had progressively
adjusted to oral discourse, and for which the earlier middle age had less
opportunity. The _Rhetorica ad Herennium_, comparatively summary also
as to analysis and sequence, is devoted largely to style, and reduces
stylistic ornament to a list so conveniently specific that medieval
schools made it a ritual. Though the greater Cicero and Quintilian were
known to such original minds as Gerbert in the tenth century and John
of Salisbury in the twelfth, they were hardly available for the usual
course of teaching. Medieval rhetoric was generally a lore of style.
Here _rhetorica_ tended to coincide with that school study of Latin
poetry which was a recognized function of _grammatica_. The constant
quotation of Horace’s “Ars poetica” is one of the signs of the merging of
poetic with rhetoric. The conventional doctrine from both was largely of
descriptive dilation. Among the effects of this teaching which outlast
schooling and reach beyond Latin are certain conventions of vernacular
poetry. Conversely, poetic advance in the vernaculars is seen in breaking
away not only from school rhetoric, but from rhetoric altogether.
The main medieval fields proper to rhetoric were sermons and letters.
The former, exploring their rhetoric in the earlier centuries, continued
to feel the example, perhaps more than the precept, of St. Augustine.
Even the Dominicans had no need to seek a new lore of oral composition.
What is distinctive in sermon composition of the twelfth century is
oftener poetic than rhetoric. Letters, on the other hand, are at once a
legitimate application of ancient rhetoric and a distinctively medieval
development. They practically comprehend the medieval rhetoric of written
prose. Though ordinary routine was largely content, as in any other time,
with correctness, and therefore with recipe and formulary, serious study
of both composition and style is evident in the better manuals, and
conspicuous in those achievements which are part of medieval literature.
Public-domain text, read in full here on John Shaqi.
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