Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
Corporis formam caduci, membra morti obnoxia
Induit, ne gens periret primoplasti ex germine,
Merserat quem lex profundo noxialis tartaro....
_Cathemerinon_ ix. 10.[39]
Rendered as a _rhythmus_, as in the hymn quoted by Bede,[40] the measure,
besides ending with a stress, was often divided at the cæsura, to make
stanzas of six four-stress lines; for the original line is long to handle
singly; it tends to break. None of the other hymns taken from this poem
of Prudentius is so familiar and so stirring as this of Fortunatus:
Pange, lingua, gloriosi prælium certaminis,
Et super crucis tropæo dic triumphum nobilem,
Qualiter redemptor orbis immolatus vicerit.
De parentis protoplasti fraude factor condolens,
Quando pomi noxialis morte morsu conruit,
Ipse lignum tunc notavit, damna ligni ut solveret....
_Carmina_ II. ii; MGH 27.[41]
Possibly Fortunatus composed this as a _rhythmus_; more probably he
thought of the soldiers’ marching stresses as reinforcing his _metra_.
The long Bangor hymn ascribed to St. Hilary of Poitiers, and probably
very old,[42] is quoted with admiration by Bede[43] as a metrum.
Hymnum dicat turba fratrum,
hymnum cantus personet;
Christo regi concinnantes
laudem demus debitam.
Tu Dei de corde verbum,
tu via, tu veritas,
Iesse virga tu vocaris,
te leonem legimus.
Dextra patris, mons et agnus,
angularis tu lapis,
Sponsus idem vel columba,
flamma, pastor, ianua.
In prophetis inveniris
nostro natus sæculo;
Ante sæcla tu fuisti
factor primi sæculi....
Folio 3 _recto_; AH 51: 264.
It has the deeper significance of exhibiting an early form of medieval
symbolism.
The very different trochaic measure of the sixth-century Irish
“breastplate” hymn, with abrupt pauses and rime, seems clearly a
_rhythmus_, and deserves attention least of all for its art.
_Lorica sancti Gyldæ Sapientis_
Suffragare, * trinitatis unitas,
Unitatis * miserere trinitas.
Suffragare,
quæso, mihi posito
Maris magni
velut in periculo,
Ut non secum
trahat me mortalitas
Huius anni
neque mundi vanitas.
Et hoc idem
peto a sublimibus
cælestis mi-
litiæ virtutibus,
Ne me linquant
lacerandum hostibus,
Sed defendant
me iam armis fortibus....
AH 51: 358.
3. Other Measures
Public-domain text, read in full here on John Shaqi.
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