There was something provocatively fascinating in the tree-girt,
decrepit pile before me, for it spoke of the graces and spaciousness
of a bygone era and a far more southerly environment. It was a typical
wooden plantation house of the classic, early Nineteenth Century
pattern, with two and a half stories and a great Ionic portico whose
pillars reached up as far as the attic and supported a triangular
pediment. Its state of decay was extreme and obvious: one of the vast
columns having rotted and fallen to the ground, while the upper piazza
or balcony had sagged dangerously low. Other buildings, I judged, had
formerly stood near it.
As I mounted the broad stone steps to the low porch and the carved and
four-lighted doorway I felt distinctly nervous, and started to light
a cigarette--desisting when I saw how dry and inflammable everything
about me was. Though now convinced that the house was deserted, I
nevertheless hesitated to violate its dignity without knocking; so I
tugged at the rusty iron knocker until I could get it to move, and
finally set up a cautious rapping which seemed to make the whole
place shake and rattle. There was no response; yet once more I plied
the cumbrous, creaking device, as much to dispel the sense of unholy
silence and solitude as to arouse any possible occupant of the ruin.
Somewhere near the river I heard the mournful note of a dove, and it
seemed as if the coursing water itself were faintly audible. Half in
a dream, I seized and rattled the ancient latch, and finally gave the
great six-paneled door a frank trying. It was unlocked, as I could see
in a moment; and though it stuck and grated on its hinges I began to
push it open, stepping through it into a vast shadowy hall as I did so.
But the moment I took this step I regretted it. It was not that a
legion of specters confronted me in that dim and dusty hall with the
ghostly Empire furniture, but that I knew at once that the place was
not deserted after all. There was a creaking on the great curved
staircase, and the sound of faltering footsteps slowly descending. Then
I saw a tall, bent figure silhouetted for an instant against the great
Palladian window on the landing.
* * * * *
My first terror was soon over, and as the figure descended the final
flight I was ready to greet the house-holder whose privacy I had
invaded. In the semi-darkness I could see him reach into his pocket
for a match. There came a flare as he lighted a small kerosene lamp
which stood on a rickety console table near the foot of the stairs. The
feeble glow revealed the stooping figure of a very tall, emaciated old
man, disordered in dress and unshaven as to face, yet for all that with
the bearing and expression of a gentleman.
I did not wait for him to speak, but at once began to explain my
presence.
Public-domain text, read in full here on John Shaqi.
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