"If I'd been wise, I'd have done just what poor Denis told me
to--burned the picture and the body-grasping hair at once and without
curiosity--but I was too shaken to be wise. I suppose I muttered
foolish things over my boy--and then I remembered that the night was
wearing on and that the servants would be back in the morning. It was
plain that a matter like this could never be explained, and I knew that
I must cover things up and invent a story.
"That coil of hair around Marsh was a monstrous thing. I didn't dare
touch it, and the longer I looked at it the more horrible things I
noticed about it. One thing gave me a start. I won't mention it, but
it partly explained the need for feeding the hair with queer oils as
Marceline had always done.
"In the end I decided to bury all three bodies in the cellar, with
quicklime, which I knew we had in the storehouse. It was a night of
hellish work. I dug three graves--my boy's a long way from the other
two, for I didn't want him to be near either the woman's body or her
hair. I was sorry I couldn't get the coil from around poor Marsh. It
was terrible work getting them all down to the cellar. I used blankets
in carting the woman and the poor devil with the coil around him. Then
I had to get two barrels of lime from the storehouse. God must have
given me strength, for I not only moved them both but filled all three
graves without a hitch.
"Some of the lime I made into white-wash. I had to take a stepladder
and fix over the parlor ceiling where the blood had oozed through. And
I burned nearly everything in Marceline's room, scrubbing the walls
and floor and heavy furniture. I washed up the attic studio, too, and
the trail and footprints that led there. And all the time I could hear
old Sophy's wailing in the distance. The devil must have been in that
creature to let her voice go on like that. But she always was howling
queer things. That's why the field niggers didn't get scared or curious
that night. I locked the studio door and took the key to my room. Then
I burned all my stained clothes in the fire-place. By dawn the whole
house looked quite normal, so far as any casual eye could tell. I
hadn't dared touch the covered easel, but meant to attend to that later.
* * * * *
"Well, the servants came back next day, and I told them all the young
folks had gone to St. Louis. None of the field hands seemed to have
seen or heard anything, and old Sophonisba's wailing had stopped at the
instant of sunrise. She was like a sphinx after that, and never let out
a word of what had been on her brooding witch-brain the day and night
before.
Public-domain text, read in full here on John Shaqi.
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