The house was now perfectly silent, and John had time and space for
reflection. More thoughts came crowding on him than he wished to
welcome, but they would not be repulsed. He thought of his uncle’s
habits and character, turned the matter over and over again in his mind,
and he said to himself, “The last man on earth to be superstitious. He
never thought of any thing but the price of stocks, and the rate of
exchange, and my college expences, that hung heavier at his heart than
all; and such a man to die of a fright,--a ridiculous fright, that a man
living 150 years ago is alive still, and yet--he is dying.” John paused,
for facts will confute the most stubborn logician. “With all his
hardness of mind, and of heart, he is dying of a fright. I heard it in
the kitchen, I have heard it from himself,--he could not be deceived. If
I had ever heard he was nervous, or fanciful, or superstitious, but a
character so contrary to all these impressions;--a man that, as poor
Butler says, in his Remains of the Antiquarian, would have ”sold Christ
over again for the numerical piece of silver which Judas got for
him,“--such a man to die of fear! Yet he _is_ dying,” said John,
glancing his fearful eye on the contracted nostril, the glazed eye, the
dropping jaw, the whole horrible apparatus of the _facies Hippocratica_
displayed, and soon to cease its display.
Old Melmoth at this moment seemed to be in a deep stupor; his eyes lost
that little expression they had before, and his hands, that had
convulsively been catching at the blankets, let go their short and
quivering grasp, and lay extended on the bed like the claws of some bird
that had died of hunger,--so meagre, so yellow, so spread. John,
unaccustomed to the sight of death, believed this to be only a sign that
he was going to sleep; and, urged by an impulse for which he did not
attempt to account to himself, caught up the miserable light, and once
more ventured into the forbidden room,--the _blue chamber_ of the
dwelling. The motion roused the dying man;--he sat bolt upright in his
bed. This John could not see, for he was now in the closet; but he heard
the groan, or rather the choaked and guggling rattle of the throat, that
announces the horrible conflict between muscular and mental convulsion.
He started, turned away; but, as he turned away, he thought he saw the
eyes of the portrait, on which his own was fixed, _move_, and hurried
back to his uncle’s bedside.
Public-domain text, read in full here on John Shaqi.
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