carriage, (which was in waiting at the end of the street), Stanton and
his companions entered it, and drove about two miles out of London.
(9) Rochefoucault.
The carriage then stopped. “Come, Cousin,” said the younger
Stanton,--“come and view a purchase I have made.” Stanton absently
alighted, and followed him across a small paved court; the other person
followed. “In troth, Cousin,” said Stanton, “your choice appears not to
have been discreetly made; your house has something of a gloomy
aspect.”--“Hold you content, Cousin,” replied the other; “I shall take
order that you like it better, when you have been some time a dweller
therein.” Some attendants of a mean appearance, and with most suspicious
visages, awaited them on their entrance, and they ascended a narrow
staircase, which led to a room meanly furnished. “Wait here,” said the
kinsman, to the man who accompanied them, “till I go for company to
divertise my cousin in his loneliness.” They were left alone. Stanton
took no notice of his companion, but as usual seized the first book near
him, and began to read. It was a volume in manuscript,--they were then
much more common than now.
The first lines struck him as indicating insanity in the writer. It was
a wild proposal (written apparently after the great fire of London) to
rebuild it with stone, and attempting to prove, on a calculation wild,
false, and yet sometimes plausible, that this could be done out of the
colossal fragments of Stonehenge, which the writer proposed to remove
for that purpose. Subjoined were several grotesque drawings of engines
designed to remove those massive blocks, and in a corner of the page was
a note,--“I would have drawn these more accurately, but was not allowed
_a knife_ to mend my pen.”
Public-domain text, read in full here on John Shaqi.
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