“They were there before him; and in the shuddering and averted form of
Elinor, and the stern but calm importunity of her companion, he read the
terrible secret of their conference. Suddenly he advanced and stood
before the stranger. They immediately recognised each other. An
expression that was never before beheld there--an expression of
fear--wandered over the features of the stranger! He paused for a
moment, and then departed without uttering a word--nor was Elinor ever
again molested by his presence. * * * * *
“It was some days before the clergyman recovered from the shock of this
singular encounter sufficiently to see Elinor, and explain to her the
cause of his deep and painful agitation.
“He sent to announce to her when he was able to receive her, and
appointed the night for the time of meeting, for he knew that during the
day she never forsook the helpless object of her unalienated heart. The
night arrived--imagine them seated in the antique study of the
clergyman, whose shelves were filled with the ponderous volumes of
ancient learning--the embers of a peat fire shed a dim and fitful light
through the room, and the single candle that burned on a distant oaken
stand, seemed to shed its light on that alone--not a ray fell on the
figures of Elinor and her companion, as they sat in their massive chairs
of carved-like figures in the richly-wrought nitches of some Catholic
place of worship----”
“That is a most profane and abominable comparison,” said Aliaga,
starting from the doze in which he had frequently indulged during this
long narrative.
Public-domain text, read in full here on John Shaqi.
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