“As Ines retired to her bed, she thought she heard a feeble moan from
the room where Everhard lay, and where, from their being compelled to
sell the necessary furniture of the bed, he had entreated his parents to
allow Maurice to sleep with him, alleging that the warmth of his body
would be a substitute for artificial covering to his little brother.
Twice those moans were heard, but Ines did not dare to awake Walberg,
who had sunk into that profound sleep which is as often the refuge of
intolerable misery, as that of saturated enjoyment. A few moments after,
when the moans had ceased, and she had half persuaded herself it was
only the echo of that wave that seems for ever beating in the ears of
the unfortunate,--the curtains of her bed were thrown open, and the
figure of a child covered with blood, stained in breast, arms, and legs,
appeared before her, and cried,--“It is Everhard’s blood--he is bleeding
to death,--I am covered with his blood!--Mother--mother--rise and save
Everhard’s life!” The object, the voice, the words, seemed to Ines like
the imagery of some terrible dream, such as had lately often visited her
sleep, till the tones of Maurice, her youngest, and (in her heart) her
favourite child, made her spring from the bed, and hurry after the
little blood-spotted figure that paddled before her on its naked feet,
till she reached the adjoining room where Everhard lay. Amid all her
anguish and fear, she trod as lightly as Maurice, lest she should awake
Walberg.
“The moon-light fell strongly through the unshuttered windows on the
wretched closet that just contained the bed. Its furniture was
sufficiently scanty, and in his spasms Everhard had thrown off the
sheet. So he lay, as Ines approached his bed, in a kind of corse-like
beauty, to which the light of the moon gave an effect that would have
rendered the figure worthy the pencil of a Murillo, a Rosa, or any of
those painters, who, inspired by the genius of suffering, delight in
representing the most exquisite of human forms in the extremity of human
agony. A St Bartholomew flayed, with his skin hanging about him in
graceful drapery--a St Laurence, broiled on a gridiron, and exhibiting
his finely-formed anatomy on its bars, while naked slaves are blowing
the coals beneath it,--even these were inferior to the form
half-veiled,--half-disclosed by the moon-light as it lay. The snow-white
limbs of Everhard were extended as if for the inspection of a sculptor,
and moveless, as if they were indeed what they resembled, in hue and
symmetry, those of a marble statue. His arms were tossed above his head,
and the blood was trickling fast from the opened veins of both,--his
bright and curled hair was clotted with the red stream that flowed from
his arms,--his lips were blue, and a faint and fainter moan issued from
them as his mother hung over him. This sight banished in a moment all
other fears and feelings, and Ines shrieked aloud to her husband for
assistance.
Public-domain text, read in full here on John Shaqi.
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