“Father!--father!” cried Julia, “are these your hands? Oh let me live,
and I will do any thing--any thing but”---- “Father!--dear father!”
cried Ines, “spare us!--to-morrow may bring another meal!” Maurice, the
young child, sprung from his bed, and cried, clinging round his father,
“Oh, dear father, forgive me!--but I dreamed a wolf was in the room, and
was tearing out our throats; and, father, I cried so long, that I
thought you never would come. And now--Oh God! oh God!”--as he felt the
hands of the frantic wretch grasping his throat,--“are you the wolf?”
“Fortunately those hands were powerless from the very convulsion of the
agony that prompted their desperate effort. The daughters had swooned
from horror,--and their swoon appeared like death. The child had the
cunning to counterfeit death also, and lay extended and stopping his
breath under the fierce but faultering gripe that seized his young
throat--then relinquished--then grasped it again--and then relaxed its
hold as at the expiration of a spasm.
“When all was over, as the wretched father thought, he retreated from
the chamber. In doing so, he stumbled over the corse-like form of his
wife.--A groan announced that the sufferer was not dead. “What does this
mean?” said Walberg, staggering in his delirium,--“does the corse
reproach me for murder?--or does one surviving breath curse me for the
unfinished work?”
“As he spoke, he placed his foot on his wife’s body. At this moment, a
loud knock was heard at the door. “They are come!” said Walberg, whose
frenzy hurried him rapidly through the scenes of an imaginary murder,
and the consequence of a judicial process. “Well!--come in--knock again,
or lift the latch--or enter as ye list--here I sit amid the bodies of my
wife and children--I have murdered them--I confess it--ye come to drag
me to torture, I know--but never--never can your tortures inflict on me
more than the agony of seeing them perish by hunger before my eyes. Come
in--come in--the deed is done!--The corse of my wife is at my foot, and
the blood of my children is on my hands--what have I further to fear?”
But while the wretched man spoke thus, he sunk sullenly on his chair,
appearing to be employed in wiping from his fingers the traces of blood
with which he imagined they were stained. At length the knocking at the
door became louder,--the latch was lifted,--and three figures entered
the apartment in which Walberg sat. They advanced slowly,--two from age
and exhaustion,--and the third from strong emotion. Walberg heeded them
not,--his eyes were fixed,--his hands locked in each other;--nor did he
move a limb as they approached.
Public-domain text, read in full here on John Shaqi.
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