But work, which always spelt happiness to Memlinc, meant something
more to him in this decade of his career. Death in 1487 robbed him of
his wife. One pictures to oneself the bereaved artist seeking solace
from the grief of his widowed home in intensified application to his
art. The refining discipline of sorrow was exercising its softening
influence on a nature of whose religious fervour and deep piety his
life-work is an abiding testimony. Absorbed in the production of the
Shrine of Saint Ursula, does not the instinct of human sympathy
suggest to us the artist spending himself in this inimitable work for
a monument of his love worthy of the memory of the helpmate who had
devoted her life to enhance the happiness of his own, herein seeking
and finding surcease of the sorrow that now overshadowed his life, the
burden of work balancing the burden of grief? And what a monument! So
familiar is the legend and the unique interpretation of it he has left
us, one feels it would be a work of supererogation to dwell on the
story. But the treatment, viewed by the light of Memlinc’s
bereavement, discloses fresh beauties in every panel. Critics have
dwelt on the unreality of the death scenes in this shrine. Memlinc, as
we have had sufficient occasion to observe, shrank from the painful
expounding of evil. But for him death had no terrors: it was but the
passing over to the ineffable reward of a well-spent life, and this
innate feeling he conveys to us in the placid acceptance of death by
Saint Ursula and her virgin band as but a stepping across the
threshold to everlasting bliss. These critics, on the contrary, look
for the betrayal of fear and anguish, for the manifestation of human
suffering: but, like the martyrs of the early Church, we find these
victims of the ruthless Huns not alone meeting their death in a spirit
of resignation, but welcoming it with abounding peace and a joyful
self-surrender, strong in the hope and faith of the hereafter: as the
artist himself was wistfully looking forward to the day and the hour
that would reunite him there to the one he had loved best on earth.
Public-domain text, read in full here on John Shaqi.
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