Memoir of Queen Adelaide, Consort of King William IV.Doran, Dr. (John)
History
Memoir of Queen Adelaide, Consort of King William IV.
Doran, Dr. (John)
Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849
The Regent, undoubtedly, manifested a clearer sense of the fitness of
things, on this occasion, than either of the managers of the theatres,
honoured by the presence of the newly-married couple soon after the
union.
At Drury Lane, was given the "Marriage of Figaro," and Covent Garden
complimented the Duke and Duchess with the "Provoked Husband."
It cannot be said that the public looked with much enthusiasm on any of
the royal marriages. Such unions with rare exceptions, are unpleasantly
free from sentiment or romance; and, in the present instances, there
was such a matter-of-fact air of mere "business" about these contracts
and ceremonies, such an absence of youth, and the impulses and the
dignity of youth, that the indifferent public, even remembering the
importance of securing a lineal succession to the throne, was slow to
offer either congratulation or sympathy. The caricaturists, on the
other hand, were busy with a heavy and not very delicate wit; and
fashionable papers, uniting implied censure with faint praise, observed
that "the Duchesses of Kent, Clarence, and Cambridge are very deficient
in the English language. They can scarcely speak a sentence. They
possess most amiable dispositions." It may be added, that they also
possessed true womanly qualities which won for them the esteem of
husbands, of whom two of the three, at least, had never been remarkable
for a chivalrous, a gentlemanlike, a manly respect for women. That was
a sort of homage rarely paid by most of the sons of George III., and I
am afraid, that our fathers generally are obnoxious to the same remark.
After a brief residence at St. James's, and as brief a sojourn at the
Duke's residence in Bushey Park, the Duke and Duchess of Clarence
repaired to Hanover, and remained there about a year,--no incident
marking the time that is worthy of observation. The issue of this
marriage scarcely survived the birth. In March 1819, a daughter was
born, but to survive only a few hours. In December 1820, another
princess gladdened the hearts of her parents, only to quench the
newly-raised joy by her death in March of the following year. The loss
was the keener felt because of the hopes that had been raised; and the
grief experienced by the Duke and Duchess was tenderly nourished,
rather than relieved, by the exquisite art of Chantrey, which, at the
command of the parents, reproduced the lost child, in marble,--sleeping
for ever where it lay.
Public-domain text, read in full here on John Shaqi.
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