At four years of age, while still living in Washington Square, I was sent to an infant school in Walnut Street, above Eighth Street, south side, near by. It was kept by the Misses Donaldson. We all sat in a row, on steps, as in an amphitheatre, but in straight lines. Miss Donaldson, senior, sat at a desk, prim and perpendicular, holding a rod which was fifteen or twenty feet in length, with which she could hit on the head or poke any noisy or drowsy child, without stirring from her post. It was an ingenious invention, and one which might be employed to advantage in small churches. I can remember that at this time I could not hear a tune played without stringing my thoughts to it; not that I have any special ear for music, but because I am moved by melody. There was a rhyme that was often sung to me to the tune of "Over the Water"-- "Charley Buff Had money enough, And locked it in his store; Charley die And shut his eye, And never saw money no more." The influence of this and other tunes on my thought was so great, that I have often wondered whether anybody ever realised how much we may owe to metre acting on thought; for I do not believe that I ever penned any poetry in my life unless it was to a _tune_; and even in this prose which I now write there is ever and anon a _cadence_ as of a brook running along, then rising, anon falling, perceptible to me though not to you, yet which has many a time been noted down by critics speaking gently of my work. This induced me to learn betimes an incredible number of songs; in fact, at the age of ten or eleven I had most of Percy's "Relics" by heart. This naturally enough led me to read, and reading understand, an amount of poetry of such varied character that I speak with strictest truth in saying that I have never met with, and never even read of, any boy who, as a mere little boy, had mastered such a number and variety of ballads and minor poems as I had done--as will appear in the course of this narrative.