Finally, we walked together from the ferry to the corner of Park Place and Broadway, and the philosopher, after minutely explaining to me which omnibus I was to take, bade me adieu. I do not think we ever met again. In the summer Colonel Forney went to Europe with John the junior. When he left he said, "I do not expect you to raise the circulation of the _Press_, but I hope that you will be able to keep it from falling in the dead season." I went to work, and what with enlarging the telegraphic news, and correspondence, and full reports of conventions, I materially increased the sale. It cost a great deal of money, to be sure, but the Colonel did not mind that. At this time there came into our office as associate with me Captain W. W. Nevin. He had been all through the war. I took a great liking to him, and we always remained intimate friends. All in our office except myself were from Lancaster County, the birthplace, I believe, of Fitch and Fulton. It is a Pennsylvania German county, and as I notoriously spoke German openly without shame ours was called a Dutch office. Once when Colonel Forney wrote a letter from Holland describing the windmills, the _Sunday Transcript_ unkindly remarked that "he had better come home and look after his own Dutch windmill at the corner of Seventh and Chestnut Streets." I had at this time a great deal to do with the operas and theatres, and often wrote the reviews. After a while, as Captain Nevin relieved me of a great deal of work, and I had an able assistant named Norcross, I devoted myself chiefly to dramatic criticism and the weekly, and such work as suited me best. As for the dignity of managership, Captain Nevin and I tossed it from one to the other like a hot potato in jest, but between us we ran the paper very well. There was an opera impresario named Maurice Strakosch, of whom I had heard that he was hard to deal with and irritable. I forget now who the prima donna in his charge was, but there had appeared in our paper a criticism which might be interpreted in some detail unfavourably by a captious critic. One afternoon there came into the office, where I was alone, a gentlemanly- seeming man, who began to manifest anger in regard to the criticism in question. I replied, "I do not know, sir, what your position in the opera troupe may be, but if it be anything which requires a knowledge of English, I am afraid that you are misplaced. There was no intention to offend in the remarks, and so far as the lady is concerned I shall only be too glad to say the very best I can of her. _Comprenez_, _monsieur_, _c'est une bagatelle_." He laughed, and we spoke French, then Italian, then German, and of Patti and Sontag and Lind. Then I asked him what he really was, and he replied, "I do not believe that you even know the name of my native tongue. It is Czech." I stared at him amazed, and said-- "Veliky Bog! Rozprava pochesky? Nekrasneya rejece est."