Never shall I forget one evening alone in that Museum. I had come with Jacob Pierce's school, and strayed off alone into some far-away and fascinating nook, forgetful of friends and time. All the rest had departed homewards, and I sought to find them. The dark evening shades were casting sombre tones in the galleries--I was a very little boy of seven or eight--and the stuffed lions and bears and wolves seemed looming or glooming into mysterious life; the varnished sharks and hideous shiny crocodiles had a light of awful intelligence in their eyes; the gigantic anaconda had long awaited me; the grim hyaena marked me for his own; even deer and doves seemed uncanny and goblined. At this long interval of sixty years, I can recall the details of that walk, and every object which impressively half-appalled me, and how what had been a museum had become a chamber of horrors, yet not without a wild and awful charm. Of course I lost my way in the shades, and was beginning to speculate on having to pass a night among the monsters, and how much there would be left for my friends to mourn over in the morning, when--Eureka! Thalatta!--I beheld the gate of entrance and exit, and made my latter as joyously as ever did the souls who were played out of Inferno by the old reprobate of the Roman tale. Since that adventure I never mentioned it to a living soul till now, and yet there is not an event of my life so vividly impressed on my memory. My father took me very rarely to the theatre; but my Quaker school-mates had never seen the inside of such places at all, and therefore listened greedily to what I could tell them of the sights. One of the wonders of my youth was the seeing the great elephant Columbus perform in a play called "The Englishman in Siam." It was indeed very curious, and it is described as such in works on natural history. And I saw Edwin Forrest (whom I learned to know in later years) in "Metamora," and Fanny Kemble in "Beatrice," and so on. As for George Boker, he went, I believe, to every place of amusement whenever he pleased, and talked familiarly of actors, some of whom he actually knew, and their lives, in a manner which awoke in me awe and a feeling as being humble and ignorant indeed. As we grew older, Boker and I, from reading "Don Quixote" and Scott, used to sit together for hours improvising legends of chivalry and marvellous romances. It was in the year when it first appeared that I read (in the _New Monthly_) and got quite by heart the rhyming tale of "Sir Rupert the Fearless," a tale of the Rhine, one of the Ingoldsby legends, by Barham. I can still repeat a great part of it. I bore it in mind till in after years it inspired (allied to Goethe's _Wassermadchen_) my ballad of _De Maiden mit Nodings on_, which has, as I now write, been very recently parodied and pictured by _Punch_, March 18, 1893. My mother had taught me to get poetry by heart, and by the time I was ten years of age, I had