There was in Mr. Greene's library a very curious and now rare work in three volumes, published in Boston at some time in the twenties, called "The Marvellous Depository." It consisted of old legends of Boston, such as the story of "Peter Rugg," "Tom Walker and the Devil," "The Golden Tooth," "Captain Kidd," "The Witch Flymaker," and an admirable collection of unearthly German tales, such as "The Devil's Elixir," by Hoffmann (abridged), "Jacob the Bowl," "Rubezahl," "Der Freyschutz," and many more, but all of the unearthly blood-curdling kind. Singly, they were appalling enough to any one in those days when the supernatural still thrilled the strongest minds, but taken altogether for steady reading, the book was a perfect Sabbat of deviltry and dramatic horrors. The tales were well told, or translated in very simple but vigorous English, and I pored over the collection and got it by heart, and borrowed it, and took it to Dedham in the holidays, and into the woods, where I read it in sunshine or twilight shade by the rippling river, under wild rocks, and so steeped my soul in the supernatural, that I seemed to live a double life. As was natural, my schoolmates read and liked such tales, but they sunk into my very soul, and took root, and grew up into a great overshadowing forest, while with others they were only as dwarf bushes, if they grew at all. All of this--though I did not know it--was unconsciously educating my bewitched mind to a deep and very precocious passion for mediaeval and black-letter literature and occult philosophy, which was destined to manifest itself within a few years.