Boston (Mass.) -- Fiction; Women philanthropists -- Fiction
“But, Miss Brewster,” he urged, “that, you see, is impossible. Will you
disclose Mr. Dunreath’s felony? Will you create a needless scandal and
lose your fortune? No; if you will but settle this little business with
me (the sum, of course, is but a mere bagatelle to a rich lady like
you), the secret will remain forever buried in my bosom, and no mortal
shall know what has passed between us. The moment you hand me your check
for twenty thousand dollars, payable to the bearer, that moment you
shall with your own hand burn these incriminating letters.”
I reiterated that in spite of the danger of bringing ignominy upon the
name of my old friend, I should consult my lawyer before taking any
steps in the matter.
“But I can’t wait,” he retorted almost fiercely, and there was a look in
his eyes which made me start. My heart rose. Could it be that those
terrible letters were only clever forgeries? He instantly recollected
himself, however, and his tone assumed a touch of pathos.
“Miss Brewster,” he said, and there was a tremor in his voice as he
looked at me beseechingly; “my mother, whom I have not seen for years,
is dying. The physician gives her at most only a month to live. Unknown
to my father she has cabled me to return instantly. Ah, my sweet
mother,” he murmured, as if speaking to himself, while his eyes were wet
with unshed tears, “the moments are years until I see her. Oh, if I
should be too late! And then—who knows? perhaps,—yes,—perhaps, if I may
stand beside my mother’s deathbed, my stern old father may be reconciled
to me—may bid me stay, and I may have the unspeakable comfort of
sustaining his declining years.”
I watched him keenly. If this were acting, it had been very good acting
until now. But these last few words had a false ring in them, which even
my unpracticed ear detected. With a mournful sigh he showed me two
miniatures painted on ivory, one the face of a handsome, dark-eyed
woman, the other that of a scholarly-looking man of middle age. These,
he said, were the portraits of his father and mother, and as he returned
the latter to its velvet case he pressed it tenderly to his lips.
It was very touching, and I was half convinced, especially when my eye
fell again on that curious handwriting whose peculiarities I knew so
well. The man evidently saw that I was agitated and afraid that his
story might, after all, be true. He continued:—
Public-domain text, read in full here on John Shaqi.
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