Memoirs of an American Prima DonnaKellogg, Clara Louise
General
Memoirs of an American Prima Donna
Kellogg, Clara Louise
Kellogg, Clara Louise, 1842-1916; Singers -- United States -- Biography
Nothing would satisfy the cadets, who were aware that I was preparing to
go on the stage as a professional singer, but that I should sing for
them. I was only too delighted to do so, but I didn't want to sing in
the hotel. So they turned their "hop-room" into a concert-hall for the
occasion and invited the officers and their friends, in spite of Mrs.
Jeff Davis, who tried her best to prevent the ball-room from being given
to us for our musicale. She did not attend; but the affair made her
exceedingly uncomfortable, for she disliked me and was jealous of the
kindness and attention I received from everyone. She always referred to
me as "that singing girl!"
As I have said, many of those attractive West Point boys and officers
were killed in the war so soon to break upon us. Others, like General
Porter, have remained my friends. A few I have kept in touch with only
by hearsay. But throughout the Civil War I always felt a keener and more
personal interest in the battles because, for a brief space, I had come
so close to the men who were engaged in them; and the sentiment never
passed.
Ever and ever so many years after that visit to West Point, a note came
behind the scenes to me during one of my performances, and with it was a
mass of exquisite flowers. "Please wear one of these flowers to-night!"
the note begged me. It was from one of the cadets to whom I had sung so
long before, but whom I had never seen since.
I wore the flower: and I put my whole soul into my singing that night.
For that little episode of my girlhood, the meeting with those eager and
plucky young spirits just before our great national crisis, has always
been close to my heart. As for the three dark years that followed--ah,
well,--I never want to read about the war now.
[Illustration: =Clara Louise Kellogg as a Girl=
From a photograph by Sarony]
It was almost time for my _début_, and there was still something I had
to do. To my sheltered, puritanically brought up consciousness, there
could be no two views among conventional people as to the life I was
about to enter upon. I knew all about it. So, a few weeks before I was
to make my professional bow to the public, I called my girl friends
together, the companions of four years' study, and I said to them:
"Girls, I've made up my mind to go on the stage! I know just how your
people feel about it, and I want to tell you now that you needn't know
me any more. You needn't speak to me, nor bow to me if you meet me in
the street. I shall quite understand, and I shan't feel a bit badly.
_Because I think the day will come when you will be proud to know me!_"
CHAPTER III
"LIKE A PICKED CHICKEN"
Before my _début_ in opera, Muzio took me out on a concert tour for a
few weeks. Colson was the _prima donna_, Brignoli the tenor, Ferri the
baritone, and Susini the basso. Susini had, I believe, distinguished
himself in the Italian Revolution. His name means _plums_ in Italian,
and his voice as well as his name was rich and luscious.
Public-domain text, read in full here on John Shaqi.
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