The printing-house, I found, consisted of an old damaged press, and a small worn-out fount of English types which he was using himself, composing an elegy on Aquilla Rose, before mentioned; an ingenious young man, of excellent character, much respected in the town, secretary to the Assembly, and a pretty poet. Keimer made verses too, but very indifferently. He could not be said to _write_ them, for his method was to _compose_ them in the types directly out of his head; there being no copy, but one pair of cases, and the elegy probably requiring all the letter, no one could help him. I endeavoured to put his press (which he had not yet used, and of which he understood nothing) into order to be worked with; and, promising to come and print off his elegy as soon as he should have got it ready, I returned to Bradford's, who gave me a little job to do for the present, and there I lodged and dieted. A few days after Keimer sent for me to print off the elegy. And now he had got another pair of cases, and a pamphlet to reprint, on which he set me to work. These two printers I found poorly qualified for their business. Bradford had been bred to it, and was very illiterate; and Keimer, though something of a scholar, was a mere compositor, knowing nothing of presswork. He had been one of the French prophets, and could act their enthusiastic agitations. At this time he did not profess any particular religion, but something of all on occasion; was very ignorant of the world, and had, as I afterward found, a good deal of the knave in his composition. He did not like my lodging at Bradford's while I worked with him. He had a house, indeed, but without furniture, so he could not lodge me; but he got me a lodging at Mr. Read's, before mentioned, who was the owner of his house; and my chest of clothes being come by this time, I made rather a more respectable appearance in the eyes of Miss Read than I had done when she first happened to see me eating my roll in the street.