Aunt Lotti was the widow of a Saxon named Büschel, by occupation a gentleman of leisure and bookworm. Elvira had, so to speak, grown up in her father’s library. Büschel’s favorite department had been philosophy, and he conversed with his little one mainly about Hegel, Fichte, and Kant. For refreshment from such heavy diet he handed her Shakespeare. And for very special sugarplums, Uhland, Körner, Hölderlin. Of course the result of this education was a little bluestocking. Elvira had begun writing at the age of eight,—songs, ballads, and the like,—and when I made her acquaintance she had already composed several dramas in prose and a few tragedies in verse. That she was to become the greatest poetess of the century was a settled thing in her mind, in Aunt Lotti’s, and in mine. Perhaps she would have, if an early death had not snatched her away. She did win the recognition of great connoisseurs—I name only Grillparzer, who read her pieces with admiring amazement and prophesied a great future for her. In our family circle her genius was undisputed. And she had that quality which stands for half of genius, iron-faced industry. Every day she—the child—voluntarily spent three or four consecutive hours at the writing-desk and wrote, wrote, wrote. Often she had several pieces of work on the stocks,—a story, a drama, and various poems in between. I remember the titles of some of the large pieces: one was called “Karl the Sixth,” another “Delascar.” The name of this last hero (I think he was a Moor) particularly pleased me, and seemed to me to be of itself a guaranty of success. Whether these dramas were ever completed I do not remember. I know I made their acquaintance in the form of outlines—it was only individual scenes that were already finished, certain especially effective monologues. Elvira was an indefatigable user of the file. If on one day she had read to us a great speech of Delascar’s, she often let us hear on the next day an entirely new edition of the same speech. To me her future renown was a tenet of faith. And she did not doubt the fairy-tale fortune that life must bring to me; for, though she conceded my intellectual inferiority (there was not a vestige of literary tendency in me, the lyre was no more my instrument than the French horn), she had unbounded admiration for my physical endowments and social talents—I must become a great lady and take all hearts by storm. As may be seen, we did not fail in mutual appreciation, and this was the soil in which our friendship flourished so luxuriantly.