Memoirs of Bertha von Suttner: The Records of an Eventful Life (Vol. 2 of 2) — John Shaqi
Memoirs of Bertha von Suttner: The Records of an Eventful Life (Vol. 2 of 2)Suttner, Bertha von
History
Memoirs of Bertha von Suttner: The Records of an Eventful Life (Vol. 2 of 2)
Suttner, Bertha von
Peace; Suttner, Bertha von, 1843-1914; Women -- Austria -- Biography
“We are colleagues and comrades, gracious lady”; such was his greeting.
And then he led us from picture to picture, and related how each came to
be painted and what idea was in his mind as he worked. At many of the
paintings we could not suppress a cry of horror.
“Perhaps you believe that is exaggerated? No, the reality is much more
terrible. I have often been reproached for representing war in its evil,
repulsive aspect; as if war had two aspects,—a pleasing, attractive
side, and another ugly, repulsive. There is only one kind of war, with
only one end and aim: the enemy must suffer as much as possible; must
lose as many as possible in killed, wounded, and prisoners; must receive
one blow after another until he asks for quarter.”
As we stopped in front of the “Apotheosis of War,” he called our
attention to an inscription in small Russian letters near the border of
the picture.
“You can’t read that; it is Russian and means, ‘Dedicated to the
Conquerors of the Past: the Present and the Future.’ When the picture
was on exhibition in Berlin, Moltke stood in front of it. I was by his
side, and I translated the words for him; the dedication was a dig at
him too.”
Another painting represented a road buried in a thick covering of snow,
with here and there hands or feet sticking out of it.
“What in heaven’s name is that?” we cried.
“No work of the imagination. It is actual fact that in winter, both in
the last Turko-Russian war and during other campaigns, the road along
which the regiments were passing was covered with corpses; one who had
not seen it would find it hard to believe. The wheels of the cannons,
the tumbrels and other wagons, would crush the wretched men, still
living, down into the ruts, where the dead bodies were deliberately left
that the road might not be injured; and they were pressed way down under
the snow, only the protruding legs and arms showing here and there that
the road was a thickly populated graveyard....”
“I understand,” said I, “that you were blamed for depicting the most
horrible things that you saw.”
Public-domain text, read in full here on John Shaqi.
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