Autobiographical fiction; Bildungsromans; England -- Fiction; Feminist fiction; Love stories; Sex role -- Fiction; Young women -- Fiction
Cruel prejudices!--I exclaimed--hapless woman! Why was I not educated
for commerce, for a profession, for labour? Why have I been rendered
feeble and delicate by bodily constraint, and fastidious by artificial
refinement? Why are we bound, by the habits of society, as with an
adamantine chain? Why do we suffer ourselves to be confined within a
magic circle, without daring, by a magnanimous effort, to dissolve the
barbarous spell?
A child in the drama of the world, I knew not which way to turn, nor on
what to determine. I wrote to Mr Morton, to enquire on what terms I was
to be received by his family. If merely as a visitor for a few weeks,
till I had time to digest my plans, I should meet, with pleasure, a
gentleman whose character I had been taught to respect; but I should not
consider myself as subject to controul. I ought, perhaps, to have been
satisfied with Mr Morton's answer to my interrogatories.
He wished to embrace the daughter of his brother, his family would be
happy to render Morton Park agreeable to her, as long as she should
think proper to favour them by making it her residence. The young
ladies expected both pleasure and improvement from the society of
their accomplished kinswoman, &c.
I believe I was unreasonable, the style of this letter was civil, nay
kind, and yet it appeared, to me, to want the vivifying principle--what
shall I say?--dictated merely by the head, it reached not the heart.
The trials of my mind, I foreboded, were about to commence, I shrunk
from the world I had been so willing to enter, for the rude storms of
which I had been little fitted by the fostering tenderness of my early
guardians. Those ardent feelings and lively expectations, with all the
glowing landscapes which my mind had sketched of the varied pleasures
of society, while in a measure secluded from its enjoyments, gradually
melted into one deep, undistinguished shade. That sanguine ardour of
temper, which had hitherto appeared the predominant feature of my
character, now gave place to despondency. I wept, I suffered my tears
to flow unrestrained: the solemnity of the late events had seized my
spirits, and the approaching change filled me with solicitude. I
wandered over the scenes of my past pleasures, and recalled to my
remembrance, with a sad and tender luxury, a thousand little incidents,
that derived all their importance from the impossibility of their
renewal. I gazed on every object, _for the last time_--What is there in
these words that awakens our fanaticisms? I could have done homage to
these inanimate, and, till now, uninteresting objects; merely because I
should _see them no more_.
Public-domain text, read in full here on John Shaqi.
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