Clowns -- Great Britain -- Biography; Grimaldi, Joseph, 1779-1837
In the following Easter[9] he repeated the monkey at Sadler's Wells
without the pit effect. As the piece was withdrawn at the end of a
month, and he had nothing to do for the remainder of the season, he
again repaired to Putney.
In Christmas 1783, he once more appeared at Drury Lane, in a pantomime
called "Hurly Burly."[10] In this piece he had to represent, not
only the old part of the monkey, but that of a cat besides; and in
sustaining the latter character he met with an accident, his speedy
recovery from which would almost induce one to believe that he had
so completely identified himself with the character as to have eight
additional chances for his life. The dress he wore was so clumsily
contrived, that when it was sewn upon him he could not see before
him; consequently, as he was running about the stage, he fell down a
trap-door, which had been left open to represent a well, and tumbled
down a distance of forty feet, thereby breaking his collar-bone,
and inflicting several contusions upon his body. He was immediately
conveyed home, and placed under the care of a surgeon, but he did not
recover soon enough to appear any more that season at Drury Lane,
although at Easter he performed at Sadler's Wells as usual.
In the summer of this year, he used to be allowed, as a mark of high
and special favour, to spend every alternate Sunday at the house
of his mother's father, "who," says Grimaldi himself, "resided in
Newton-street, Holborn, and was a carcase butcher, doing a prodigious
business; besides which, he kept the Bloomsbury slaughter-house, and,
at the time of his death, had done so for more than sixty years."
With this grandfather, "Joe" was a great favourite; and as he was
very much indulged and petted when he went to see him, he used to
look forward to every visit with great anxiety. His father, upon
his part, was most anxious that he should support the credit of the
family upon these occasions, and, after great deliberation, and much
consultation with tailors, the "little clown" was attired for one of
these Sunday excursions in the following style. On his back he wore a
green coat, embroidered with almost as many artificial flowers as his
father had put in the garden at Lambeth; beneath this there shone a
satin waistcoat of dazzling whiteness; and beneath that again were a
pair of green cloth breeches (the word existed in those days) richly
embroidered. His legs were fitted into white silk stockings, and his
feet into shoes with brilliant paste buckles, of which he also wore
another resplendent pair at his knees: he had a laced shirt, cravat,
and ruffles; a cocked-hat upon his head; a small watch set with
diamonds--theatrical, we suppose--in his fob; and a little cane in his
hand, which he switched to and fro as our clowns may do now.
Public-domain text, read in full here on John Shaqi.
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