Clowns -- Great Britain -- Biography; Grimaldi, Joseph, 1779-1837
We feel again all the pride of standing in a body on the platform, the
observed of all observers in the crowd below, while the junior usher
pays away twenty-four ninepences to a stout gentleman under a Gothic
arch, with a hoop of variegated lamps swinging over his head. Again we
catch a glimpse (too brief, alas!) of the lady with a green parasol in
her hand, on the outside stage of the next show but one, who supports
herself on one foot, on the back of a majestic horse, blotting-paper
coloured and white; and once again our eyes open wide with wonder,
and our hearts throb with emotion, as we deliver our card-board check
into the very hands of the Harlequin himself, who, all glittering with
spangles, and dazzling with many colours, deigns to give us a word of
encouragement and commendation as we pass into the booth!
But what was this--even this--to the glories of the inside, where,
amid the smell of saw-dust, and orange-peel, sweeter far than violets
to youthful noses, the first play being over, the lovers united, the
ghost appeased, the baron killed, and everything made comfortable and
pleasant,--the pantomime itself began! What words can describe the
deep gloom of the opening scene, where a crafty magician holding a
young lady in bondage was discovered, studying an enchanted book to the
soft music of a gong!--or in what terms can we express the thrill of
ecstasy with which, his magic power opposed by superior art, we beheld
the monster himself converted into Clown! What mattered it that the
stage was three yards wide, and four deep? _we_ never saw it. We had
no eyes, ears, or corporeal senses, but for the pantomime. And when
its short career was run, and the baron previously slaughtered, coming
forward with his hand upon his heart, announced that for that favour
Mr. Richardson returned his most sincere thanks, and the performances
would commence again in a quarter of an hour, what jest could equal
the effects of the Baron's indignation and surprise, when the Clown,
unexpectedly peeping from behind the curtain, requested the audience
"not to believe it, for it was all gammon!" Who but a Clown could have
called forth the roar of laughter that succeeded; and what witchery but
a Clown's could have caused the junior usher himself to declare aloud,
as he shook his sides and smote his knee in a moment of irrepressible
joy, that that was the very best thing he had ever heard said!
Public-domain text, read in full here on John Shaqi.
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