Add to all these a mass of aquatic plants, such as the cats-tail, that
long cottony blossom of the typha-plant; and the water-lily, its wide
round leaves and white cup magnificently outspread on the water’s smooth
surface; the gladiole with its clusters of pink flowers and the pale
narcissus mirrored in the stream; the duckweed with its minute leaves;
the ox-tongue, which flowers like a lustre; and the forget-me-not,
myosotis, named in Provence “eyes of the Child Jesus.”
But of all this wonder-world, what held my fancy most was the
water-iris, a large plant growing at the water’s edge in big clumps,
with long sword-shaped leaves and beautiful yellow blooms raising high
their heads like golden halberds. The golden lilies, which on an azure
field form the arms of France and of Provence, were undoubtedly
suggested by these same water-iris, for the lily and the iris are really
of the same family, and the azure of the coat-of-arms faithfully
represents the water by the edge of which the iris grows.
It was a summer’s day, about the harvest time. All the people of the
farm-house were out at work, helping to bind up the sheaves. Some
twenty men, bare-armed, marched by twos and fours, round the horses and
mules who were treading hard. Some took off the ears of corn or tossed
the straw with their long wooden forks, while others, bare-foot, danced
gaily in the sunshine on the fallen grain. High in the air, upheld by
the three supports of a rustic crane, the winnowing cradle was
suspended. A group of women and girls with baskets threw the corn and
husks into the net of the sieve, and the master, my father, vigorous and
erect, swung the sieve towards the wind, turning the bad grains on to
the top. When the wind abated or at intervals ceased, my father, with
the motionless sieve in his hands, facing the wind and gazing out into
the blue, would say in all seriousness, as though addressing a friendly
god: “Come, blow, blow, dear wind.”
And I have seen the “mistral,” on my word, in obedience to the wish of
the patriarch, again and again draw breath, thus carrying off the refuse
while the blessed fine wheat fell in a white shower on the conical heap
visibly rising in the midst of the winnowers.
At sunset, after the grain had been heaped up with shovels, and the men,
all powdered with dust, had gone off to wash at the well and draw water
for the beasts, my father with great strides
[Illustration: MAS DU JUGE--BIRTHPLACE OF FRÉDÉRIC MISTRAL.]
would measure the heap of corn, tracing upon it a cross with the handle
of the spade and uttering the words: “God give thee increase.”
I must have been scarcely four years old and still wearing petticoats,
when one lovely afternoon during this threshing season, after rolling as
children love to do in the new straw, I directed my steps towards the
draw-well moat.
For some days past the fair water-iris had commenced to open, and my
hands tingled to pluck some of the lovely golden buds.
Public-domain text, read in full here on John Shaqi.
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