purity mongers is more interesting to the alienist than to a man of letters. Let us take a typical case, that of the late Lord ----. Forty or fifty years ago he was one of the most strenuous advocates of purity in literature, and more shops were raided at his instigation than at any other; yet when he died his library was found to contain the finest collection of impure literature in Europe, and his executors were left wondering whether the prosecutions were prompted by a desire to increase the value of his collection by the destruction of rare books, copies of which were in his possession, or whether he had been moved by conscientious scruples; a man might bamboozle himself in this way: "I am a man of letters and possess these books because they are rare, a curious corner of literature, but it would be highly inexpedient for others to possess them." His conscience might take a still more curious turn, leading to a dizzier height: "I am a sinner; that, alas! is so; but I can prevent others from sinning likewise." No doubt the greater part of the literature which the noble lord collected with so much industry was of that frankly indecent kind which is debarred from every library, Continental as well as English and American. There is a literature which does not come within the scope of the present inquiry, and there is what may perhaps be called a border literature, books which are found in public libraries in the German, the French, and the Italian texts. It seems pertinent to ask why a little knowledge of French and German and Italian should procure the right to read Brantôme's "Femmes Gallantes." It would be difficult for anybody to say that this book is not frankly obscene, and yet in the French text I suppose every library contains it. Casanova's "Memoirs" is another book of the same kind; I am not aware of any complete translation of Boccaccio's tales, but every library possesses an edition in the original Italian. The only reason that can be put forward for the suppression of a book is that it is harmful, and if Brantôme, Casanova, and Boccaccio are harmful in English, they do harm to those who can read them in the original texts. But perhaps I have pointed out enough inconsistencies, and the reader, growing weary, may say: "Are you so young, then, that you don't know that the world is a mass of contradictions? that life is no more than a tale told by an idiot full of sound and fury, and signifying nothing?" Shakespeare did no more than to put into eloquent language every man's belief, that we are all mad on one subject or another. If this be so, every race is mad on some point, for have we not often heard that what is true of the individual is true of the race? Anglo-Saxon madness is book morality. Madness has been defined as a lack of consequence in ideas, and can anything be less consequent than--we need look no further back than Ibsen? The great genius who died in May last was decried by the