covered with silver ornaments, three drawings by Boucher--Boucher in
three periods, a French Boucher, a Flemish Boucher, and an Italian
Boucher--that I must not think that any of these things were presents
from him, and from saying when she came into the room that the
bracelet on her arm was not from him. It had seemed to me in slightly
bad taste that he should remind her that he made no presents, for his
remark had clouded her joyousness; I could see that she was not so
happy at the thought of going out to dine with him as she had been.
It was _chez Foyoz_ that we dined, an old-fashioned restaurant
still free from the new taste that likes walls painted white and gold,
electric lamps and fiddlers. After dinner we had gone to see a play
next door at the Odéon, a play in which shepherds spoke to each other
about singing brooks, and stabbed each other for false women, a play
diversified with vintages, processions, wains, and songs. Nevertheless
it had not interested us. And during the _entr'actes_ Gervex had
paid visits in various parts of the house, leaving Mademoiselle
D'Avary to make herself agreeable to me. I dearly love to walk by the
perambulator in which Love is wheeling a pair of lovers. After the
play he had said, "Allons boire un bock," and we had turned into a
students' café, a café furnished with tapestries and oak tables, and
old-time jugs and Medicis gowns, a café in which a student
occasionally caught up a tall bock in his teeth, emptied it at a gulp,
and after turning head over heels, walked out without having smiled.
Mademoiselle D'Avary's beauty and fashion had drawn the wild eyes of
all the students gathered there. She wore a flower-enwoven dress, and
from under the large hat her hair showed dark as night; and her
southern skin filled with rich tints, yellow and dark green where the
hair grew scanty on the neck; the shoulders drooped into opulent
suggestion in the lace bodice. And it was interesting to compare her
ripe beauty with the pale deciduous beauty of the waitress.
Mademoiselle D'Avary sat, her fan wide-spread across her bosom, her
lips parted, the small teeth showing between the red lips. The
waitress sat, her thin arms leaning on the table, joining very
prettily in the conversation, betraying only in one glance that she
knew that she was only a failure and Mademoiselle D'Avary a success.
It was some time before the ear caught the slight accent; an accent
that was difficult to trace to any country. Once I heard a southern
intonation, and then a northern; finally I heard an unmistakable
English intonation, and said:
"But you're English."
"I'm Irish. I'm from Dublin."
Public-domain text, read in full here on John Shaqi.
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