I left the place discontented and weary, glad in a way that Marie had
not come. No doubt the dressmaker had disappointed her, or maybe she
had felt too ill. There was no time to go to inquire in the morning,
for I was breakfasting with Octave, and in the afternoon sitting to
him.
We were in the middle of the sitting, he had just sketched in my head,
when we heard footsteps on the stairs.
"Only some women," he said; "I've a mind not to open the door."
"But do," I said, feeling sure the women were Marie's friends bringing
news of her. And it was so. She had been found dead on her balcony
dressed in the gown that had just come home from the dressmaker.
I hoped that Octave would not try to pass the matter off with some
ribald jest, and I was surprised at his gravity. "Even Octave," I
said, "refrains, _on ne blague pas la mort_."
"But what was she doing on the balcony?" he asked. "What I don't
understand is the balcony."
We all stood looking at her picture, trying to read the face.
"I suppose she went out to look at the fireworks; they begin about
eleven."
It was one of the women who had spoken, and her remark seemed to
explain the picture.
CHAPTER V
LA BUTTE
To-morrow I shall drive to breakfast, seeing Paris continuously
unfolding, prospect after prospect, green swards, white buildings,
villas engarlanded; to-day I drive to breakfast through the white
torridities of Rue Blanche. The back of the coachman grows drowsier,
and would have rounded off into sleep long ago had it not been for the
great paving stones that swing the vehicle from side to side, and we
have to climb the Rue Lepic, and the poor little fainting animal will
never be able to draw me to the Butte. So I dismiss my carriage, half
out of pity, half out of a wish to study the Rue Lepic, so typical is
it of the upper lower classes. In the Rue Blanche there are
_portes-cochères_, but in Rue Lepic there are narrow doors,
partially grated, open on narrow passages at the end of which,
squeezed between the wall and the stairs, are small rooms where
_concierges_ sit, eternally _en camisole_, amid vegetables
and sewing. The wooden blinds are flung back on the faded yellow
walls, revealing a portion of white bed-curtain and a heavy
middle-aged woman, _en camisole_, passing between the cooking
stove, in which a rabbit in a tin pail lies steeping, and the men
sitting at their trades in the windows. The smell of leather follows
me for several steps; a few doors farther a girl sits trimming a
bonnet, her mother beside her. The girl looks up, pale with the
exhausting heat. At the corner of the next street there is the
_marchand de vins_, and opposite the dirty little _charbonnier_,
and standing about a little hole which he calls his _boutique_
a group of women in discoloured _peignoirs_ and heavy carpet
slippers. They have baskets on their arms. Everywhere traces of
meagre and humble life, but nowhere do I see the demented wretch
Public-domain text, read in full here on John Shaqi.
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