and I say: "I hear the truth in the mouth of the vagrant minstrel, one
who possibly has no _trou_ wherein to lay his head." _Et moi
aussi, je reste dans mon trou, et mon trou est assez beau pour que j'y
reste, car mon trou est_--Richard Wagner. My _trou_ is the
Ring--the Sacrosanct Ring. Again I fall to musing. The intention of
Liszt and Wagner and Strauss was to write music. However long Wotan
might ponder on Mother Earth the moment comes when the violins begin
to sing; ah! how the spring uncloses in the orchestra, and the lovers
fly to the woods!...
The vagrant continued his wail, and forgetful of Paul, forgetful of
all things but the philosophy of the minstrel of the Butte, I picked
my way down the tortuous streets repeating:
[Illustration]
Moi, je m'en fous, Je reste dans mon trou
CHAPTER VI
SPENT LOVES
I am going to see dear and affectionate friends. The train would take
me to them, that droll little _chemin de fer de ceinture_, and it
seems a pity to miss the Gare St. Lazare, its Sunday morning tumult of
Parisians starting with their mistresses and their wives for a
favourite suburb. I never run up these wide stairways leading to the
great wide galleries full of bookstalls (charming yellow notes), and
pierced with little _guichets_ painted round with blue, without
experiencing a sensation of happy lightness--a light-headedness that I
associate with the month of May in Paris. But the tramway that passes
through the Place de la Concorde goes as far as Passy, and though I
love the droll little _chemin de fer de ceinture_ I love this
tramway better. It speeds along the quays between the Seine and the
garden of the Champs Elysées, through miles of chestnut bloom, the
roadway chequered with shadows of chestnut leaves; the branches meet
overhead, and in a faint delirium of the senses I catch at a bloom,
cherish it for a moment, and cast it away. The plucky little
steamboats are making for the landing-places, stemming the current. I
love this sprightly little river better than the melancholy Thames,
along whose banks saturnine immoralities flourish like bulrushes!
Behold the white architecture, the pillars, the balustraded steps, the
domes in the blue air, the monumented swards! Paris, like all pagan
cities, is full of statues. A little later we roll past gardens,
gaiety is in the air.... And then the streets of Passy begin to
appear, mean streets, like London streets. I like them not; but the
railway station is compensation; the little railway station like a
house of cards under toy trees, and the train steaming out into the
fanciful country. The bright wood along which it speeds is like the
season's millinery.
Public-domain text, read in full here on John Shaqi.
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