Gibbon, Edward, 1737-1794; Historians -- Great Britain -- Biography
As far back as I can remember, the house, near Putney-bridge and
churchyard, of my maternal grandfather appears in the light of my
proper and native home. It was there that I was allowed to spend
the greatest part of my time, in sickness or in health, during my
school vacations and my parents' residence in London, and finally
after my mother's death. Three months after that event, in the
spring of 1748, the commercial ruin of her father, Mr. James Porten,
was accomplished and declared. He suddenly absconded: but as his
effects were not sold, nor the house evacuated, till the Christmas
following, I enjoyed during the whole year the society of my aunt,
without much consciousness of her impending fate. I feel a
melancholy pleasure in repeating my obligations to that excellent
woman, Mrs. Catherine Porten, the true mother of my mind as well as
of my health. Her natural good sense was improved by the perusal of
the best books in the English language; and if her reason was
sometimes clouded by prejudice, her sentiments were never disguised
by hypocrisy or affectation. Her indulgent tenderness, the
frankness of her temper, and my innate rising curiosity, soon
removed all distance between us: like friends of an equal age, we
freely conversed on every topic, familiar or abstruse; and it was
her delight and reward to observe the first shoots of my young
ideas. Pain and languor were often soothed by the voice of
instruction and amusement; and to her kind lessons I ascribe my
early and invincible love of reading, which I would not exchange for
the treasures of India. I should perhaps be astonished, were it
possible to ascertain the date, at which a favourite tale was
engraved, by frequent repetition, in my memory: the Cavern of the
Winds; the Palace of Felicity; and the fatal moment, at the end of
three months or centuries, when Prince Adolphus is overtaken by
Time, who had worn out so many pair of wings in the pursuit. Before
I left Kingston school I was well acquainted with Pope's Homer and
the Arabian Nights Entertainments, two books which will always
please by the moving picture of human manners and specious miracles:
nor was I then capable of discerning that Pope's translation is a
portrait endowed with every merit, excepting that of likeness to the
original. The verses of Pope accustomed my ear to the sound of
poetic harmony: in the death of Hector, and the shipwreck of
Ulysses, I tasted the new emotions of terror and pity; and seriously
disputed with my aunt on the vices and virtues of the heroes of the
Trojan war. From Pope's Homer to Dryden's Virgil was an easy
transition; but I know not how, from some fault in the author, the
translator, or the reader, the pious Aeneas did not so forcibly
seize on my imagination; and I derived more pleasure from Ovid's
Metamorphoses, especially in the fall of Phaeton, and the speeches
of Ajax and Ulysses. My grand-father's flight unlocked the door of
Public-domain text, read in full here on John Shaqi.
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