Gibbon, Edward, 1737-1794; Historians -- Great Britain -- Biography
Yet a sincere and simple narrative of my own life may amuse some of
my leisure hours; but it will subject me, and perhaps with justice,
to the imputation of vanity. I may judge, however, from the
experience both of past and of the present times, that the public
are always curious to know the men, who have left behind them any
image of their minds: the most scanty accounts of such men are
compiled with diligence, and perused with eagerness; and the student
of every class may derive a lesson, or an example, from the lives
most similar to his own. My name may hereafter be placed among the
thousand articles of a Biographic Britannica; and I must be
conscious, that no one is so well qualified, as myself, to describe
the series of my thoughts and actions. The authority of my masters,
of the grave Thuanus, and the philosophic Hume, might be sufficient
to justify my design; but it would not be difficult to produce a
long list of ancients and moderns, who, in various forms, have
exhibited their own portraits. Such portraits are often the most
interesting, and sometimes the only interesting parts of their
writings; and if they be sincere, we seldom complain of the
minuteness or prolixity of these personal memorials. The lives of
the younger Pliny, of Petrarch, and of Erasmus, are expressed in the
epistles, which they themselves have given to the world. The essays
of Montaigne and Sir William Temple bring us home to the houses and
bosoms of the authors: we smile without contempt at the headstrong
passions of Benevenuto Cellini, and the gay follies of Colley
Cibber. The confessions of St. Austin and Rousseau disclose the
secrets of the human heart; the commentaries of the learned Huet
have survived his evangelical demonstration; and the memoirs of
Goldoni are more truly dramatic than his Italian comedies. The
heretic and the churchman are strongly marked in the characters and
fortunes of Whiston and Bishop Newton; and even the dullness of
Michael de Marolles and Anthony Wood acquires some value from the
faithful representation of men and manners. That I am equal or
superior to some of these, the effects of modesty or affectation
cannot force me to dissemble.
Public-domain text, read in full here on John Shaqi.
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