Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
General
Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
At the Brussels station, a postillion who had three horses out of work,
offered to take our heavy carriage to the Tirlemont Hotel, and I
consented, for I really knew not what hotel to go to. After driving
through the city at full speed, we entered a winding street, in the
midst of which our driver began smacking his whip loudly to announce our
arrival, and with the skill of a practised driver, he turned into an
archway that opened on to the hotel yard. We made a princely entrée
here, which reminded me of our departure from Paris, for the master of
the hotel, his wife, and the servants, were all at their posts ready to
receive us worthily. We had gone safely through about half the narrow
entry, when our vehicle suddenly stopped, as if riveted to the pavement:
blows fell like hail on the unhappy steeds, but these, though
accompanied by vigorous oaths and stimulants of every description, could
not conquer the unknown obstacle.
Being quite convinced that the road was clear on either side, our
postillion decided on trying a final effort; so he got down rapidly from
his seat, took the horses by the bit, and drew them forward sharply. The
carriage appeared to yield to this powerful attraction, and began to
move slowly. All at once a sound of breaking was heard, while at the
same moment cries of alarm issued from both compartments of the
carriage.
The doors were hurriedly opened, women and children emerged, and the
last of our party was still on the step, when the impériale gave way,
and the numerous heavy trunks crashed into the centre of the carriage.
In the emotion produced by such danger, I looked round my party, and
thanks to Heaven, we were all safe and sound.
My wife and children were carefully attended to, while I, though not
entirely recovered from my terror, sought the cause of this unforeseen
catastrophe. I soon discovered that our carriage, being too highly
loaded, had caught in the projecting sides of the archway, and that this
gradual and powerful pressure had forced the mouldering framework of our
old vehicle to give way.
In comparison with the misfortune from which we had so miraculously
escaped, the injury to the carriage was an accident of no importance--a
loss which would be quickly forgotten in the success that awaited us.
The carriage was sent to be repaired, and the accident was soon a thing
of the past, as we sought to recover from the fatigue of our long and
wearying journey.
My first walk in Brussels led me straight to the manager, who appeared
delighted at my keeping my word, and gave me a most polite reception:
thence, I proceeded to the Park Theatre, where I was to give my
performances.
This building, lately destroyed by fire, was situated on one of the most
agreeable sites in the city, for it formed the angle of a magnificent
park, which is to Brussels what the Tuilleries are to Paris.
During the summer no theatrical performance took place, and it was to
fill up this gap that the engagement had been formed with me.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account