Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
General
Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
In the foreground Anderson was seen affecting the attitude of the great
man; above his head fluttered an enormous banner, bearing the words “The
Wonder of the World;” while, behind him, and somewhat lost in the shade,
the Emperor of Russia and several other monarchs stood in a respectful
posture. As in the original picture, the fanatic admirers of the Wizard
embraced his knees, while an immense crowd received him triumphantly. In
the distance could be seen the equestrian statue of the Iron Duke, who,
hat in hand, bowed before him, the Great Wizard; and, lastly, the very
dome of St. Paul’s bent towards him most humbly.
At the bottom was the inscription,
“RETURN OF THE NAPOLEON OF NECROMANCY.”
Regarded seriously, this picture would be found a puff in very bad
taste; but, as a caricature, it is excessively comic. Besides, it had
the double result of making the London public laugh, and bringing a
great number of shillings into the skillful puffer’s pockets.
When Anderson is about to leave a town where he has exhausted all his
resources, and has nothing more to hope, he still contrives to make one
more enormous haul.
He orders from the first jeweller in the town a silver vase, worth
twenty or twenty-five pounds; he hires, for one evening only, the
largest theatre or room in the town, and announces that in the Wizard’s
parting performance the spectators will compete to make the best pun.
The silver vase is to be the prize of the victor.
A jury is chosen among the chief people of the town to decide with the
public on the merits of each pun.
It is agreed that they will applaud if they think a pun good; they will
say nothing to a passable one, but groan at a bad one.
The room is always crowded, for people come less to see the performance,
which they know by heart, than to display their wit publicly. Each makes
his jest, and receives a greeting more or less favorable; and, lastly,
the vase is decreed to the cleverest among them.
Any other than Anderson would be satisfied with the enormous receipts
his performance produces; but the Great Wizard of the North has not
finished yet. Before the audience leaves the house he states that a
short-hand writer had been hired by him to take down all the puns, and
that they will be published as a Miscellany.
As each spectator who has made a joke likes to see it in print, he
purchases a copy of the book for a shilling. An idea of the number of
these copies may be formed from the number of puns they contain. I have
one of these books in my possession, printed at Glasgow in 1850, in
which there are 1091 of these facetiæ.
The charlatan style of Anderson’s bills is most amusing--at least I
regard it as such; for it is not presumable that Anderson ever intended
sincerely to praise himself in such an outrageous way. If I am mistaken,
it would be more than vanity on his part, when I take into consideration
his conjuring talent. Hence I believe him to be very modest at heart.
CHAPTER XVIII.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account