Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
General
Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
The St. James’s Theatre--Invasion of England by French
Performers--A Fête patronised by the Queen--The Diplomatist and the
Sleight-of-Hand Man--Three Thousand Pounds taken at one Haul--I
perform at Manchester--The Spectators in the Pillory--What capital
Curaçoa!--A Torrent of Wine--A Catastrophe--Performance at
Buckingham Palace--A Wizard’s Repast.
But it is time to return to St. James’s: the machinists, painters, and
decorators have finished their work, for the 2nd of May has arrived, the
day fixed for my stage being handed over to me.
In fact, every one was admirably punctual: the new scenery was in its
place at an early hour, and as, at Mitchell’s request, the rehearsals
were suspended for that day, the theatre was entirely at my service;
hence I could devote myself quietly to the preparations for my
performance. However, all had been so well arranged beforehand, that I
was in perfect readiness when the audience began entering the house.
It may be supposed I had taken every possible precaution to insure
success, for an experiment which must excite astonishment if it succeed,
in the event of failure is ruin to the operator. Hence I sincerely pity
those sorcerers whose supernatural power hangs on a thread.
It is true that a skillful conjurer ought always to be able to escape
any difficulty that may occur to him; still, this sort of repairs very
rarely meets with success, for, after all, it is only a patching
together, in which the cracks are only too visible.
I had a mode of escape always at hand in any emergency, but I confess I
was much vexed when compelled to have recourse to these secondary means,
which, by prolonging the experiment, render it far less striking.
When a failure happens in tricks of skill an escape is impossible, for a
conjurer ought no more to fail in these than a good musician play a
false note. Whenever he makes a mistake in such a case, it results from
his want of adroitness, which only time can correct; but in our
experiments accidents at times happen which the most careful man cannot
foresee. In such an event, you can only trust to the expedients which
presence of mind suggests.
Thus, one day, I happened to break the glass of a watch lent me for a
trick. My position was awkward, for it is a very clumsy termination to a
trick to return an object lent you in any way injured.
I quietly walked up to the gentleman who had lent me the watch, and
offered it to him, while being very careful to keep the face downwards;
but, at the moment he was going to take it, I drew it back.
“This is your watch?” I said, confidently.
“Yes, sir, it is.”
“Well, I merely wished to prove the fact; will you, sir,” I added,
sinking my voice, to a whisper, “lend it to me for another trick which I
intend to perform presently?”
“Willingly,” the obliging spectator replied.
Public-domain text, read in full here on John Shaqi.
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