Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
General
Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
As M. de Neveu had announced to me, the expeditionary corps returned to
Algiers on the 20th of October, and the fêtes, suspended by the
campaign, were fixed for the 27th. Messengers were sent off to all parts
of the colony, and on the appointed day the chiefs of the tribes,
accompanied by a numerous suite, found themselves in the presence of the
marshal-governor.
These autumnal fêtes, the most brilliant held in Algeria, and probably
unrivalled in any country of the world, present a picturesque and really
remarkable scene.
I should like to be able to paint here the strange aspect the capital
assumed on the arrival of the _goums_ of the Tell and the South. The
native camp, an inextricable pell-mell of huts for men and horses,
offering a thousand contrasts, strange as they were fascinating; the
brilliant cortége of the governor-general, in the midst of which the
Arab chiefs, with their stern faces, attracted the eye by the luxury of
their costumes, the beauty of their horses, and the brilliancy of their
gold-broidered trappings; and the marvellous hippodrome, situated
between the sea, the smiling hill of Mustapha, and the plain of
Hussein-Dey, over which gloomy mountains cast a sombre shade. But I will
say nothing about all this. Nor will I describe those military exercises
called a Fantasia, in which twelve hundred Arabs, mounted on splendid
steeds, and uttering wild cries as if on the battle-field, displayed the
utmost vigor, skill, and intelligence men can possess. Nor will I speak
of the admirable exhibition of Arab stallions, each exciting the most
lively satisfaction as it passed; for all this has been already
described, and I am longing to reach my own performances, which, I may
say, formed not the least interesting part of this fête. I will only
allude to one circumstance, which struck me peculiarly.
I saw a horseman, mounted on a magnificent Arab steed, beat all the
winners in a final heat. This horseman was twelve years of age, and
could pass under his horse without stooping.
The races lasted three days, and I was to give my performances at the
end of the second and third.
Before beginning, I will say a word about the Algiers theatre.
It is a very neat house, in the style of the Variétés at Paris, and
decorated with considerable taste. It is situated at the extremity of
the Rue Bab-Azoun, on the _place_ bearing that name, and the façade is
peculiarly elegant.
On first seeing this immense edifice, it would be assumed that the
interior was enormous: but it is nothing of the sort. The architect has
sacrificed everything to the claims of public order and ventilation,
while the stairs, passages, and green-room occupy as much space as the
house itself. Perhaps the architect took into consideration the limited
number of theatre-going people in Algiers, and thought that a small
house would offer performers a better chance of success.
Public-domain text, read in full here on John Shaqi.
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