Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
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Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
On the 28th of October, the day appointed for my first performance
before the Arabs, I reached my post at an early hour, and could enjoy
the sight of their entrance into the theatre.
Each _goum_, drawn up in companies, was introduced separately, and led
in perfect order to the places chosen for it in advance. Then came the
turn of the chiefs, who seated themselves with all the gravity becoming
their character.
Their introduction lasted some time, for these sons of nature could not
understand that they were boxed up thus, side by side, to enjoy a
spectacle, and our comfortable seats, far from seeming so to them,
bothered them strangely. I saw them fidgeting about for some time, and
trying to tuck their legs under them, after the fashion of European
tailors.
Marshal Randon, with his family and suite, occupied the two stage-boxes
to the right of the stage, while the prefect and other civilian
authorities sat exactly facing him. As for Colonel de Neveu, he was
everywhere, as the arranger of the festival.
The caïds, agas, bash-agas, and other titled Arabs, held the places of
honor, for they occupied the orchestra-stalls and the dress-circle.
In the midst of them were several privileged officers, and, lastly, the
interpreters were mingled among the spectators, to translate my remarks
to them.
I was also told that several curious people, having been unable to
procure tickets, had assumed the Arab burnous, and, binding the
camel’s-hair cord round their foreheads, had slipped in among their new
co-religionists.
This strange medley of spectators was indeed a most curious sight. The
dress-circle, more especially, presented an appearence as grand as it
was imposing. Some sixty Arab chiefs, clothed in their red mantles (the
symbol of their submission to France), on which one or more decorations
glistened, gravely awaited my performance with majestic dignity.
I have performed before many brilliant assemblies, but never before one
which struck me so much as this. However, the impression I felt on the
rise of the curtain, far from paralyzing me, on the contrary inspired me
with a lively sympathy for the spectators, whose faces seemed so well
prepared to accept the marvels promised them. As soon as I walked on the
stage, I felt quite at my ease, and enjoyed, in anticipation, the sight
I was going to amuse myself with.
I felt, I confess, rather inclined to laugh at myself and my audience,
for I stepped forth, wand in hand, with all the gravity of a real
sorcerer. Still, I did not give way, for I was here not merely to amuse
a curious and kind public, I must produce a startling effect upon coarse
minds and prejudices, for I was enacting the part of a French Marabout.
Compared with the simple tricks of their pretended sorcerers, my
experiments must appear perfect miracles to the Arabs.
Public-domain text, read in full here on John Shaqi.
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