Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
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Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
From Strasburg we proceeded to Basle. My first performances were stamped
with the deepest sorrow, but I gradually substituted skill and care for
my gaiety and good spirits, and the public accepted the change. After
visiting the principal towns in Switzerland, we returned to France, and
it was thus I found you my dear boy, on the road between Tours and
Blois.
* * * * *
I saw by Torrini’s last sentences, and the manner in which he tried to
shorten his narrative, that he not only required rest, but also to
recover from the painful emotions these melancholy reminiscences had
evoked. A few words, too, Torrini had dropped confirmed my notion that
he was in a pecuniary dilemma; hence, I left him under the pretence of
letting him sleep, and begged Antonio to take a walk with me. I wanted
to remind him it was time to carry out the plan we had formed, which
consisted in giving a few performances at Aubussen, without dropping a
word of it to our dear master. Antonio was of my opinion; but when it
came to deciding which of us should perform, he positively asserted he
knew no more of the conjuring art than he had been obliged to learn--he
could slip a card, a handkerchief, or a coin into a person’s pocket, if
required, but nothing more. I learned later that Antonio, though not
very skillful, knew more than he pretended.
We decided that I should represent the sorcerer; and I must have been
animated with a great desire to help Torrini, and pay him in part the
debt of gratitude I owed, ere I consented to mount a stage so suddenly.
For, although I had shown my friends some of my tricks, the performance
had always been gratuitous; now I had to do with spectators who paid for
their seats, and this caused me considerable apprehension.
Still, my resolution once formed, I proceeded with Antonio to the
mayor’s, in order to obtain permission to perform. This magistrate was
an excellent man; aware of the accident that had happened to us, and
that he had it in his power to do a good deed, he offered us the
gratuitous use of a concert-room. More than this, to give us a chance of
forming some acquaintances who might be of use to us, he begged us to
come to his house the next Sunday evening. We accepted this offer
gratefully, and had reason to congratulate ourselves on it. The mayor’s
guests, pleased with certain tricks I showed them, faithfully kept their
promise of attending my first performance, and not one was missing.
My heart panted audibly when the curtain rose, and I was obliged to
whisper to myself that the spectators, aware of the object of my
performance, would be inclined to look over much. Some cheering applause
restored my confidence, and I got through my first tricks very decently.
This success heightened my assurance, and at length I acquired a degree
of coolness I did not think myself capable of.
Public-domain text, read in full here on John Shaqi.
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