The Queen laughed heartily at the voice of M. d'Adhemar, formerly a very fine one, but latterly become rather tremulous. His shepherd's dress in Colin, in the "Devin du Village," contrasted very ridiculously with his time of life, and the Queen said it would be difficult for malevolence itself to find anything to criticise in the choice of such a lover. The King was highly amused with these plays, and was present at every performance. Caillot, a celebrated actor, who had long quitted the stage, and Dazincourt, both of acknowledged good character, were selected to give lessons, the first in comic opera, of which the easier sorts were preferred, and the second in comedy. The office of hearer of rehearsals, prompter, and stage manager was given to my father-in-law. The Duc de Fronsac, first gentleman of the chamber, was much hurt at this. He thought himself called upon to make serious remonstrances upon the subject, and wrote to the Queen, who made him the following answer: "You cannot be first gentleman when we are the actors. Besides, I have already intimated to you my determination respecting Trianon. I hold no court there, I live like a private person, and M. Campan shall be always employed to execute orders relative to the private fetes I choose to give there." This not putting a stop to the Duke's remonstrances, the King was obliged to interfere. The Duke continued obstinate, and insisted that he was entitled to manage the private amusements as much as those which were public. It became absolutely necessary to end the argument in a positive manner. The diminutive Duc de Fronsac never failed, when he came to pay his respects to the Queen at her toilet, to turn the conversation upon Trianon, in order to make some ironical remarks on my father-in-law, of whom, from the time of his appointment, he always spoke as "my colleague Campan." The Queen would shrug her shoulders, and say, when he was gone, "It is quite shocking to find so little a man in the son of the Marechal de Richelieu." So long as no strangers were admitted to the performances they were but little censured; but the praise obtained by the performers made them look for a larger circle of admirers. The company, for a private company, was good enough, and the acting was applauded to the skies; nevertheless, as the audience withdrew, adverse criticisms were occasionally heard. The Queen permitted the officers of the Body Guards and the equerries of the King and Princes to be present at the plays. Private boxes were provided for some of the people belonging to the Court; a few more ladies were invited; and claims arose on all sides for the favour of admission. The Queen refused to admit the officers of the body guards of the Princes, the officers of the King's Cent Suisses, and many other persons, who were highly mortified at the refusal.