The disappointment produced such discontent that the words oppression and tyranny were uttered with no less passion and bitterness at that time than during the days which immediately preceded the downfall of the throne. Beaumarchais was so far put off his guard by rage as to exclaim, "Well, gentlemen, he won't suffer it to be played here; but I swear it shall be played,--perhaps in the very choir of Notre-Dame!" There was something prophetic in these words. It was generally insinuated shortly afterwards that Beaumarchais had determined to suppress all those parts of his work which could be obnoxious to the Government; and on pretence of judging of the sacrifices made by the author, M. de Vaudreuil obtained permission to have this far-famed "Mariage de Figaro" performed at his country house. M. Campan was asked there; he had frequently heard the work read, and did not now find the alterations that had been announced; this he observed to several persons belonging to the Court, who maintained that the author had made all the sacrifices required. M. Campan was so astonished at these persistent assertions of an obvious falsehood that he replied by a quotation from Beaumarchais himself, and assuming the tone of Basilio in the "Barbier de Seville," he said, "Faith, gentlemen, I don't know who is deceived here; everybody is in the secret." They then came to the point, and begged him to tell the Queen positively that all which had been pronounced reprehensible in M. de Beaumarchais's play had been cut out. My father-in-law contented himself with replying that his situation at Court would not allow of his giving an opinion unless the Queen should first speak of the piece to him. The Queen said nothing to him about the matter. Shortly, afterwards permission to perform this play was at length obtained. The Queen thought the people of Paris would be finely tricked when they saw merely an ill-conceived piece, devoid of interest, as it must appear when deprived of its Satire. ["The King," says Grimm, "made sure that the public would judge unfavourably of the work." He said to the Marquis de Montesquiou, who was going to see the first representation, 'Well, what do you augur of its success?'--'Sire, I hope the piece will fail.'--'And so do I,' replied the King. "There is something still more ridiculous than my piece," said Beaumarchais himself; "that is, its success." Mademoiselle Arnould foresaw it the first day, and exclaimed, "It is a production that will fail fifty nights successively." There was as crowded an audience on the seventy-second night as on the first. The following is extracted from Grimm's 'Correspondence.' "Answer of M. de Beaumarchais to -----, who requested the use of his private box for some ladies desirous of seeing 'Figaro' without being themselves seen.