make his work, indispensable as it is, less valuable than it might
have been, but they by no means detract from the general interest of
the story. That is a quarry from which much has been hewn, and a good
many of those enduring blocks which go to make up so popular and
charming a work as _John Inglesant_ came in the first instance from
Dennistoun's volumes.
A second edition then, of such a work, as it seems to me, needs no
excuse. What must, perhaps, be excused is my part in it, the intrusion
of another personality into what was so completely the author's own.
Yet I can truly say that I have intruded myself as little as
possible, and, indeed, so far as the text goes, it stands almost as
Dennistoun left it, with the correction of such errata as were due
partly to the printers and partly to the oversight of the author. The
notes which have been my business, my only part in the work, have
filled the leisure of three years. They are far from being complete,
and are imperfect in a thousand ways, as I know perhaps better than
any one else, but they are as good and as useful as I could make them,
and represent in some sort the work not of three years, but of ten. As
for my intention in republishing Dennistoun's book with notes from my
hand, I can frankly say that I undertook it from a love of all that
concerns Italy, and especially Umbria, and therefore I have worked at
it with joy through the long winter evenings, and in summer I have
often raised my eyes from my manuscript to watch the dawn rise over
Urbino and the beautiful great hills among which she is throned. And
you, too, had you watched her thus, would have been sure that no
labour of love could be too great for her. And then Dennistoun's book
is so fine a monument of the love England has always borne to Italy.
And I would be concerned in that too. Yet sometimes I have thought
that, in spite of all my labour--and, though I loved it, labour it
was--rather than sitting down to annotate another man's work, I should
have done better to write my own. Friends, such as one must hear, were
neither slow nor without persistence in impressing this upon me. I
heard them and shook my head. I am not an historian, but a man of
letters. This book is, after all, the work of one who thought well of
facts, while I cannot abide them. For one idea, as I know well, I
would give all the facts in the world. So the writing of history is
not for me; for history is become a sort of science, and is no longer
an art. And therefore I gladly leave her to the friend to whom I
humbly dedicate my edition of this book, and to the virile embraces
of Mr. William Heywood, who first led me into this nightmare of facts
from which I am but just escaped. Let them settle it between them. For
me there remains all the uncertainties that, God be thanked, can never
be decided or be proved merely to have happened.
Public-domain text, read in full here on John Shaqi.
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