PIETRO ARETINO[*163] has been designated by Ariosto[164]
"the scourge of princes," a description somewhat more just than
the epithet of "divine," which is added possibly in irony; for few
men, it is hoped, have been so destitute of those high aspirations
which form the link between human and divine nature. He has been
aptly compared to an ill-conditioned cur, ever ready to yelp and
snap at all who do not feed or fondle him, but to such as do, the
most fawning of his species. He was born at Arezzo in 1492, and was
natural son of one Luigi Bacci. After serving his apprenticeship
to a bookbinder at Perugia, he went to push his fortunes in Rome,
where his first remarkable productions were verses illustrating a
set of engravings by Marcantonio, after designs by Giulio Romano,--a
work so scandalously offensive to decency that scarcely any copies
have escaped destruction.[*165] After the death of Giovanni de'
Medici _delle bande nere_, his earliest patron, he went to Venice,
and subsequently visited most of the Italian courts. His foul
scurrilities and loathsome adulation were dealt out with equal
readiness, as best served his insatiable avarice and undisguised
selfishness. These base qualities, tempered by tact and great
readiness, gained for him a success equally unaccountable and
undeserved; he became rich, caressed, applauded, dreaded, and is
said to have earned not less than 70,000 scudi during his career.
The popularity which his writings enjoyed among all ranks seems an
infatuation,[*166] considering their very moderate merit, and must
be viewed as symptomatic of a generally depraved taste, though no
doubt his own ineffable conceit and insolence contributed to the
delusion. "There truly never was a man who combined such haughty
presumption with equal ignorance of literature, meanness of spirit,
and debauchery of morals. His style possesses no elegance or grace;
indeed he seems to me one of the first to introduce those ludicrous
hyperboles and extravagant metaphors that came so generally into use
during the next century. Never assuredly have I met with books so
empty and useless as those of this impostor, whose baseness equalled
his profound ignorance, and the sole object of whose writings was
self-interest and lucre. As to his manners, they are amply testified
by his works, wherein, besides a prodigal sprinkling of obscenity,
there are mentioned the women with whom he intrigued, and the
children these bore him; they in fact prove him destitute of moral or
religious principle; and if ever he makes a show of compunction or
amendment, it is but to relapse speedily into his wonted profanity.
Truly such a fellow, who ought hardly to have ventured to show
himself in public, stands unequalled in presumptuous arrogance.
But the most surprising thing is to see a majority of European
princes, and not a few learned Italians, humbling themselves before
him without a blush, and rendering him a degrading tribute of gifts
and eulogies.
Public-domain text, read in full here on John Shaqi.
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