Memoirs of the life of David Rittenhouse, LLD. F.R.S., late president of the American Philosophical Society, &c. : $b interspersed with various notices of many distinguished men : with an appendix, containing sundry philosophical and other papers, most of which have not hitherto been publishedBarton, William
History
Memoirs of the life of David Rittenhouse, LLD. F.R.S., late president of the American Philosophical Society, &c. : $b interspersed with various notices of many distinguished men : with an appendix, containing sundry philosophical and other papers, most of which have not hitherto been published
“The general assembly of the commonwealth of Virginia have caused this
statue to be erected as a monument of affection and gratitude to
GEORGE WASHINGTON, who, uniting to the endowments of the HERO, the
virtues of the PATRIOT, and exerting both in establishing the
Liberties of his Country, has rendered his name dear to his
fellow-citizens, and given the world an immortal example of true
glory.”
This resolution was afterwards carried into effect: the statue which
it decreed was executed by Houdon, and occupies a conspicuous place,
in a spacious area in the centre of the capital at Richmond, in
Virginia.
-----
This was an honourable testimony of the gratitude and affectionate
respect of the nation, towards the Hero and Patriot, who so eminently
merited both; and it was a sincere effusion of the heart, in the
representatives of the American people, while the transcendent virtues
of a WASHINGTON, and his then recent services in his country’s cause,
yet inspired every generous breast with a faithful remembrance of his
worth: It was a laudable proof of the patriotism that actuated the
public mind, at a period, when, in the words of an enlightened
historian,[282] “the glow of expression in which the high sense
universally entertained of his services was conveyed, manifested a
warmth of feeling seldom equalled in the history of man.”
-----
Footnote 282:
Chief-Justice Marshall, in his _Life of George Washington_.
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The fascination which the revolution of France spread over a large
portion of Europe and America, for some time after its commencement, and
during the time it yet bore the semblance of a virtuous cause,—while it
seemed to enchant the true friends of freedom every where; and the
oft-resounded and captivating _name_ of “Liberty,” produced in men of
ardent tempers, and speculative notions, ideas of its _reality_ of the
most extravagant nature, and in numerous instances of very mischievous
tendency.
Among those of the latter description was Joseph Ceracchi, an Italian
artist of celebrity. Mr. Ceracchi was a statuary, of great eminence in
his profession; and to the manners and accomplishments of a gentleman,
he united much genius and taste. Though born and bred in the dominions
of the papal see, he fostered the principles of a republican. Conceiving
that the genius of a free government comported with these alone, he
became an enthusiastic admirer of the French _republic_. Finding the
turbulent state of France, at the beginning of her troubles,
unfavourable to the exercise of his art, in that country; and believing
as he did, that the tranquil and prosperous condition of the United
States would afford full employment for his talents, in a manner
congenial to his inclinations, as well as beneficial to his private
interest; he arrived, with his wife—a German lady of some distinction—at
Philadelphia, then the seat of the national government, sometime (it is
supposed) in the year 1793.
Public-domain text, read in full here on John Shaqi.
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